A Quote by Anne Murray

I used to sing all the time. But I couldn't imagine getting paid for it. — © Anne Murray
I used to sing all the time. But I couldn't imagine getting paid for it.
To just to get up on stage and sing every night at 9 or 10 years old was unbelievable to me. It wasn't that I was getting paid; it was that I was getting paid to do what I like to do.
I used to sing at funeral homes for families that didn't have a vocalist. I didn't get paid. I needed to sing.
I used to sing classical music to the flowers in the garden and imagine they were all different parts of the orchestra. It used to really annoy the neighbours.
This is a turf battle. They are saying, 'The songwriters aren't getting paid.' Baloney. Songwriters are getting paid. They're paid sync rights and (mechanical) rights. They aren't getting paid for the public performance in a download because there is no public performance in a download.
I'm from a singing family, but they're not professional singers, only gospel - my grandfather was a minister. I started to sing the music that was out then because my mother used to play it all the time. It was the end of the '50s, the beginning of the '60s. There was Frankie Lyman and the Teenagers, Etta James... We used to sit outside on the stoop and sing. We even used to put our radios and record players outside.
I always used to sing in the house and I went to school at Hywel Dda Primary School in Ely. I think they had a puppet-type show there and word got around I could sing. I sang at that puppet performance and used to sing in school. From there, it was in my blood. I didn't want to do anything else but sing.
Because, in opera, I have to sing for people that are very far from me, instead of, when I sing a song, I try to imagine to sing like in an ear of a child.
We are getting used to levels of violence, we are getting used to seeing these horrific things going on all the time. I think it's tough. It's rough.
... by then I was getting a little work, doing some playing and getting paid for it, not very much, but enough for me to feel justified in buying a real instrument. I bought a Gretsch with a De-Armond pickup on it and a second-hand Gibson amplifier; it looked like the one Charlie Christian used. I guess it was the same, although there were several models coming out at that time - this would be in I939.
I'd always been a good athlete and I liked getting paid what they paid you for stunts. In those days, they paid you per stunt so I'd try to do as many as I could.
I didn't have to express myself to anybody; I would just sing. And most of the times, when I initially used to sing, I used to get scared of my own voice.
I don`t sing anywhere as good as I used to, and I feel sincerely that it`s getting worse.
For us, the conversation is always about getting paid what we feel like we're worth and getting paid as the sport grows and as we help grow the sport.
We actors are fortunate people, getting paid to do what we love - it's like getting paid to eat cake! There isn't much to complain about. In fact, on the days I have an off, I'm constantly telling my friends how I want to be on the sets because I miss it already.
It's no surprise to me or the other Isley brothers that I can sing, because I used to sing all the time in practice. The surprise is that somebody else likes it.
I used to sing when I was younger. I left it alone for a long time, 'cause I was like, I don't even know if I know how to sing for real.
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