A Quote by Anne Murray

All I ever did was the songs I wanted to sing, in the way I wanted to sing them, and when people went crazy about them, it totally surprised me. — © Anne Murray
All I ever did was the songs I wanted to sing, in the way I wanted to sing them, and when people went crazy about them, it totally surprised me.
I sort of just wrote the songs, the way I wanted to write them, sing them the way I wanted to sing them, perform the way I wanted to perform.
The B-52s, you know, our songs are about volcanoes or lobsters. Cindy and I sing them like our lives depend on them. I feel very emotional when I'm singing 'Rock Lobster,' but I've wanted to sing more about my personal experience.
I got a couple on per album but my problem was that I wanted to sing the songs and not let Roger sing them.
I wanted to hear the songs in the way that I had written them, which was very basic. All I wanted was drums and another guitar, and I was just going to sing.
I just wanted to write the songs. I never wanted to sing them.
There are so many songs that I could not sing the way I wanted to. When such songs come on television or radio, I shut them off or leave the room.
I wanted to hear the songs in the way that I had written them, which was, in a way, very basic. So all I wanted to have was drums and another guitar pretty much playing what I wrote on guitar, and I was just going to sing.
On 'Heartbreaker,' I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs. With 'Gold,' I was trying to prove something to myself. I wanted to invent a modern classic.
I always wanted praise, and I always wanted attention; I won't lie to you. I was a jazz critic, and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, 'What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.'
I always wanted praise and I always wanted attention; I won't lie to you. I was a jazz critic and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.
Well, at the very beginning of the Amboy Dukes, I was doing background but I never sang my own songs. I would sing them for the guys to show them how I wanted the songs to go, but I always had lead vocalists.
Whenever I sing 'Total Eclipse of the Heart,' the way people sing along with me still excites me. It's one of the songs that audiences know all the lyrics to, and they sing along with me, and it makes me so happy. People also know my songs 'Holding out for a Hero' and 'Lost in France,' and this gives me so much joy on stage.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
I just wanted a song to sing, and there came a point where I couldn't sing anything...nobo dy else was writing what I wanted to sing. I couldn't find it anywhere. If I could I probably would never have started writing.
For as long as I'm able to write songs and sing them, it's just about making them ones I feel proud to sing again and again.
The LUMS Olympiad back 10 years ago gave me a boost to sing songs where I first met with amazing Uzair Jaswal who did not sing cover songs but his original songs.
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