A Quote by Anne Parillaud

Actors should be timeless and impersonal. — © Anne Parillaud
Actors should be timeless and impersonal.
Impersonal criticism?is like an impersonal fist fight or an impersonal marriage, and as successful.
A lullaby should be timeless because it's a timeless concept - the birth of the child.
I don't know about timeless. I actually think most of what I do is completely modern, but universally modern. Who decides what timeless even means? Are the things that we consider timeless now going to, in fact, be considered timeless in 300 years? Probably not.
'Free Bird' is timeless, 'Sweet Home' is timeless. They're just timeless songs.
It's two things: it's totally impersonal and it's totally personal, simultaneously. That's the nature of the mystical experience of life. Everything about life is impersonal, but you have a personal experience. And the bridge between the personal and the impersonal is called prayer.
Personally, I feel that in my own work I wanted to look programmed or impersonal but I don't really believe I am being impersonal when I do it. And I don't think you could do this.
War can be so impersonal yet when we put a name, a face, a place and match it to families, then war is not impersonal.
People should be shrouded in mystery. Especially actors. No, hang on, maybe actors should be blown up.
Honestly, in retrospect, when I referred to the actors from 'Prince' as non-actors or non-professionals, it was actually a great disservice to them. The fact is that they are all actors and should be viewed that way by the industry. It was our casting process that was non-professional.
This is what has to be remembered about the law: Beneath that cold, harsh, impersonal exterior there beats a cold, harsh, impersonal heart.
Being fully in the present, you experience the timeless. In the timeless, you find your true self.
It's obvious what's timeless and what is not timeless, but you need time to find that answer.
Timeless is the creature who is wise. And timeless is the prisoner in disguise.
Rooms should be timeless.
The person is only a phenomenon, the principle is behind it. Thus from both sides, simultaneously, we find the breaking down of personalities and the approach towards principles, the Personal God approaching the Impersonal, the personal man approaching the Impersonal Man.
Actors are actors, and there should be a complete fluidity for anyone to play anything.
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