A Quote by Anne Perry

I did a complete rewrite of 650 pages in two weeks. — © Anne Perry
I did a complete rewrite of 650 pages in two weeks.
Americans are clearly more afraid than at any time since 9/11. In Los Angeles, 650 schoolchildren didn't go to - 650,000 schoolchildren didn't go to school because of an e-mail threat, this two weeks after an attack killed 14 people in San Bernardino.
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
I did three or four weeks of work on 'Godzilla' it wasn't a page-one rewrite or anything like that. The term is 'script doctoring,' is what I did on it.
I did three or four weeks of work on 'Godzilla;' it wasn't a page-one rewrite or anything like that. The term is 'script doctoring,' is what I did on it.
You can't rewrite nothing, but you can rewrite 90 pages of sh*t. Now you've got your sh*t on the page, you can go work.
Twenty-two pages is not a lot of space. Believe me. Having written a bazillion comics, I still find myself more often than nine pages into a script and realizing to my horror that I'm only about a quarter of the way through the story I wanted to tell, and the next thing you know, I'm making fresh coffee and tearing up the floorboards to rewrite.
I thought 'UnSouled' would come in at around 400 pages, but it took 650 pages, and even then I felt like I was rushing the conclusion, so I asked my editor and publisher if I could divide it again. So a sequel became a trilogy, and the trilogy became a tetralogy - although we're not calling it that.
I always tell my students to go back after a hundred pages and rewrite from the beginning. It's really harder if you've already finished four hundred pages and realize the first hundred aren't working.
You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
Yeah, about sixteen to twenty weeks a year. For example, we can do America in six or seven weeks. You can do Europe in three weeks; England in two weeks. South America you could do in three weeks; Asia you could do in three weeks.
I rewrite everything, almost idiotically. I rewrite and work and work, and rewrite and rewrite some more.
I write longhand and I type and I rewrite on the typed pages.
We said we could do a full episode - find the car, build it, complete it and shoot it - in two weeks.
There is a difference between a book of two hundred pages from the very beginning, and a book of two hundred pages which is the result of an original eight hundred pages. The six hundred are there. Only you don't see them.
My boyfriend suggested I write two pages a day. He wouldn't take me out if I hadn't done my two pages. That's how I wrote my second novel.
I always rewrite the very beginning of a novel. I rewrite the beginning as I write the ending, so I may spend part of morning writing the ending, the last 100 pages approximately, and then part of the morning revising the beginning. So the style of the novel has a consistency.
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