A Quote by Anne Rice

I'm usually working on my own mythology, my own realm of created characters. Stories in mythology inspire me, though I may not be conscious of it. — © Anne Rice
I'm usually working on my own mythology, my own realm of created characters. Stories in mythology inspire me, though I may not be conscious of it.
I used to like Norse mythology, Greek mythology, Egyptian mythology. All mythology!
I walk the streets, take the train, it's real simple. Some actors create their own mythology: 'Oh, I'm so famous I can't go places, because I created this mythology that I'm so famous I can't go places.
I walk the streets, take the train, it's real simple. Some actors create their own mythology: 'Oh, I'm so famous I can't go places, because I created this mythology that I'm so famous I can't go places.'
I love the entire 'Constantine' mythology, the 'Dead Man' mythology, the Alex Holland 'Swamp Thing' mythology.
One of the things that really intrigued us the most about the whole Wonder Woman mythology is the actual mythology of it. Her character has distinct roots in classic Greek mythology.
I rarely use mythology for its own sake because, as a theatre person, the mythological figures are in fact humanity to the ninth degree and Yoruba mythology in particular has fascination of being one of the most humanised mythologies in the world.
In India we have a readymade world of fantasy available in Indian mythology. And this is why we see such a surfeit of characters drawn from mythology. I don't think it's because the present day humanity is soulless.
I suppose every poet has his own private mythology. Maybe he's unaware of it. People tell me that I have evolved a private mythology of tigers, of blades, of labyrinths, and I"m unaware of the fact this is so. My readers are finding it all the time. But I think perhaps that is the duty of poet.
Most of the monsters... are based on some sort of mythology. Every culture and even some geographical areas have monsters and mythology that is their own.
One is almost tempted to say that the language itself is a mythology deprived of its vitality, a bloodless mythology so to speak, which has only preserved in a formal and abstract form what mythology contains in living and concrete form.
For me, cinema becomes grandiose when it imposes its own mythology and its own reality.
Mythology is not a lie, mythology is poetry, it is metaphorical. It has been well said that mythology is the penultimate truth--penultimate because the ultimate cannot be put into words. It is beyond words. Beyond images, beyond that bounding rim of the Buddhist Wheel of Becoming. Mythology pitches the mind beyond that rim, to what can be known but not told.
When we started in the early '60s, football had a little bit of a tradition. But, they didn't have a mythology. And NFL Films, through our music and our scripts and our photography, created a mythology for the sport.
My own feeling of concern arises from seeing how much moral injury and suffering is created by the superstitions of the Christian mythology.
We must have a new mythology, but it must place itself at the service of ideas, it must become a mythology of reason. Mythology must become philosophical, so that the people may become rational, and philosophy must become mythological, so that philosophers may become sensible. If we do not give ideas a form that is aesthetic, i.e., mythological, they will hold no interest for people.
For black people in the western hemisphere, if you can't generate a mythology that creates models of heroism and power out of the mythology that you had, then that means that somehow the mythology you had was not only feeble and weak, but that you are ultimately a powerless people. That's a notion that, I think, that can't be accepted.
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