A Quote by Anne Rice

I gave up on the big screen. The Witching Hour was at Warner Bros. for 10 years and it just didn't work out. — © Anne Rice
I gave up on the big screen. The Witching Hour was at Warner Bros. for 10 years and it just didn't work out.
You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'
Warner Bros. was a great label to be affiliated with. It's the best label out there, and the fact that I was with them for 20 years was just an honor.
I have felt for the last 10 years I have had this battle; I've been fighting so hard to have an education. It's been this uphill struggle. I was Warner Bros' pain in the butt. I was their scheduling conflict. I was the one who made life difficult.
I remember the screen test for 'Gossip Girl' was on the Warner Bros. lot in Burbank. I was about 17 or 18 years old at the time. I remember driving onto the lot and going, 'Oh my God. This is surreal.'
When I came back to it, we amicably separated from Warner Bros. I just picked up where I left off, trying to write the rest of this record. It took awhile to get out.
The big one I missed out on was 'Cat on a Hot Tin Roof.' MGM wanted me for it, and Warner Bros. wouldn't give me permission to do it.
I come from a visual background. I used to work in the camera department at Warner Bros. when I was a teenager. I grew up dusting lenses and learning about photography.
And Warner Bros. seems to be pretty much into re-releasing all of their catalog. So there's the Warner Bros. stuff and the stuff that we have control over, we're gradually re-releasing it. Some stuff we don't have control over.
Warner Bros. has talked about going out with low-cost DVDs simultaneously in China because piracy is so huge there. It will be a while before bigger movies go out in all formats; in five years, everything will.
For years, Warner Bros. was trying to get me to make a movie about Howard Hughes.
When I went to Warner Bros., there was a woman named Bonnie Lee who was an executive who helped me to get to 'Pee-wee's Big Adventure.'
Certainly some guy eating cardboard in Cincinnati has lost any ordinary impetus to review your novel decently if he's just read you just got six figures out of Warner Bros - which incidentally was not true.
When I was born, they didn't work. They're broken, the nerves in my lower left lip. When I was kid, I would talk out of the side of my face. When I was 16 and came up to Hollywood from Orange County, I was in this cattle call audition for Batman and Robin at Warner Bros., and they interviewed me out front of the studio. When I got home, I was like, "Oh, this was exciting!" But then when I watched the news, I was like, "Mom, what is wrong with my mouth?!"
Warner Bros. is just this amazing historic studio that does great movies.
My connection to 'Aquaman' came out through the Sony hack. It had no relationship to reality. I was not on that film. I was not hired to work on that film. I had been talking to Warner Bros. about it.
This 'Pighammer' record is supposed to be a side project. And it just so happens that at the same time I'm recording this record, our contract was up with Warner Bros., so it's time for Static-X to re-sign.
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