A Quote by Anne Rice

I'm fascinated by almost any mythology that I can get my hands on. — © Anne Rice
I'm fascinated by almost any mythology that I can get my hands on.
I'm fascinated by almost any mythology that I can get my hands on...
One is almost tempted to say that the language itself is a mythology deprived of its vitality, a bloodless mythology so to speak, which has only preserved in a formal and abstract form what mythology contains in living and concrete form.
I used to like Norse mythology, Greek mythology, Egyptian mythology. All mythology!
I've always been fascinated by mythology or, in modern parlance, by X-Men or vampires.
I love the entire 'Constantine' mythology, the 'Dead Man' mythology, the Alex Holland 'Swamp Thing' mythology.
Science and mythology were the topics which fascinated me since my early childhood.
Indian mythology and its characters have always fascinated me and I find the antagonists especially very interesting.
I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
One of the things that really intrigued us the most about the whole Wonder Woman mythology is the actual mythology of it. Her character has distinct roots in classic Greek mythology.
Mythology, science and space exploration are subjects that have fascinated me since my early childhood. And they were always connected somehow with the music I write.
The first thing I ever got my hands on was Andy Griffith's 'What It Was, Was Football.' I was fascinated with the fact that every syllable made it funny, and I would laugh even though I didn't know what any of it meant.
Mythology is not a lie, mythology is poetry, it is metaphorical. It has been well said that mythology is the penultimate truth--penultimate because the ultimate cannot be put into words. It is beyond words. Beyond images, beyond that bounding rim of the Buddhist Wheel of Becoming. Mythology pitches the mind beyond that rim, to what can be known but not told.
At a young age, when I was fascinated with China, I read 'The Travels of Marco Polo' and learned about this exciting, dramatic world he captured and reported on. He's so little known, but yet this mythology has survived that's so misrepresentative of his story.
For black people in the western hemisphere, if you can't generate a mythology that creates models of heroism and power out of the mythology that you had, then that means that somehow the mythology you had was not only feeble and weak, but that you are ultimately a powerless people. That's a notion that, I think, that can't be accepted.
One cannot predict the next mythology any more than one can predict tonight's dream; for a mythology is not an ideology. It is not something projected from the brain, but something experienced from the heart, from recognition of identities behind or within the appearances of nature, perceiving with love a 'thou' where there would otherwise have been only an 'it.'
It's been a lot of fun from script to script to get inside the mythology of 'Grimm.' We've been given a lot of freedom to explore the mythology as well as the backstories and interpersonal connections of the characters.
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