A Quote by Anne Rice
When I realized that Reuben was a young man who really wanted to be taken seriously, because he was dismissed for being too good looking or because he had too much money - his character really came to life for me. I began to understand that, and see that a lot of people feel this way - misunderstood because of their talents or gifts or background.
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People think that I'm mean because I'm quiet, and I don't really go out places or because I don't really say too much. On the other hand, people think that I'm soft because I may not handle myself the way other people handle themselves. That's just not me. They don't know my background or none of that stuff.
I took it really seriously... as serious as any actor could take a movie . I had so much fun doing movie Dragonball . But I take any part I do seriously because I feel a sense of responsibility to the young kids who have saved their money to go and see a movie. I feel it's my responsibility to make it the best I can, because I don't want to let anyone down.
I'm not even sure I like surgery, but I like what it does, I like the effects. I like to be able to give people longevity and quality of life, and I also think it's good for people to use the special gifts and talents that they have. And when I was in medical school, when I began to analyze the gifts and talents that I had, I realized that surgery would probably be a very good fit for me.
One of the things that comedy has given me over the years is a really good ability to laugh at myself and to not take things that don't matter too much too seriously. I feel that very little offends me anymore and I'm really grateful for that because I think I was a pretty uptight little kid.
I remember my son wanted to go to bed with his cowboy boots on, and we had this fight for like an hour. Then I realized that the only good reason I had for him not to do it is because I didn't want him to. There was really no other reason. And finally I said, "OK, fine." It was a great victory for me, because I realized it doesn't really matter.
I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.
I was really able to confirm something that I knew on some level before I'd made a film. The best actors know how to really relax. Because in film, a lot of the decisions are made in the editing room, so when you're trying to guide your performance too much - always it's a push and pull because you can't be too relaxed. Too relaxed and it's like, "What are you doing?" Too tense and it's not good either.
I talked to people that I'd done theater with, older actors and stuff. There's a lot of people who go into the business, and they must think they're good, or they wouldn't be in it. Why do you think that you're good enough to go into the business and make money at it? So I really wanted to ask myself that question a lot. Because it was an important kind of thing that I was going to do. I really wanted to do it, I loved it, and I thought that I was good enough that I could make money at it. And that's really what it came down to.
Some men can be very rude. On the other hand, some clients are absolute angels. One john always brought me a gift every time he came to see me. He brought me a pearl necklace, a ring, a bra or something. But eventually, as much as I really loved all the gifts, he fell in love with me, and he tried to weasel his way into my life. It was too much and I sort of had to 'break up with him."
Having read the source material, I had to have drawn from that. As a fan, I wanted to remain true to that character, but it was really cool because, as we were figuring these characters out, I realized that there was a lot more backstory, rather than what I had gotten just from reading the book. Glenn doesn't really get much of a backstory there. He's just seen as this kid who is put in this situation, not knowing where his mind-set is, but then you slowly see him start to develop.
I'm really excited that people are receiving my performance like this. It makes me feel good, because I've been working really hard. And this character [Idi Amin], I worked particularly hard on. But I don't want to get too caught up in it, because first of all, it could lead to a great disappointment. You never know what's going to happen.
We really can't boil a man's life down to seasonal divisions of spring, summer, autumn, and winter. Seasons cycle perennially, and we enjoy them because they recur. We should understand a man's life this way too. An elderly person may yet see new springs and summers. On the other hand, some young people never escape winter. Others become ensnared by their own private autumns.
You can't ever work too much because there's no such thing as being in too good condition. You can't ever lift too many weights because you can't ever get too strong. You can't ever wrestle too much because you can always do better.
Because it's dance music, you can't really have a lot of changing in there. It's really not for me because there's too much repetition. I like more diversity.
I did a lot of talking - not as much background talking as a lot of people because I've never been someone who is too afraid of saying what I feel. I just don't see any reason to.
People always think I get really good reviews, but I don't. That's why I don't go on the Internet much - because you can go down a dark hole looking at stuff. Once, I clicked on my name and freaked out. It's too bizarre, it's too weird, it's too unsettling.
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