A Quote by Anne Roiphe
I have always been fascinated by the human mind, conscious and unconscious - that is what writing and reading is about, too. The why of your life and the why of your choices and the what has happened that you know and the what that you don't know is really riveting, and psychoanalysts share my wonder at how it all unfolds.
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Forget about willpower. It's time for why-power. Your choices are only meaningful when you connect them to your desires and dreams. The wisest and most motivating choices are the ones aligned with that which you identify as your purpose, your core self, and your highest values. You've got to want something, and know why you want it, or you'll end up giving up too easily.
Fate is how your life unfolds when you let fear determine your choices. A path of destiny reveals itself to you, however, when you confront your fear and make conscious choices.
People really want to think that these things really happened. I don't know why that is important, but I know that when I finish reading a novel or something, I want to know how much of that really happened to this author.
People really want to think that these things really happened. I don't know why that important, but I know that when I finish reading a novel or something, I want to know how much of that really happened to this author.
I know everything I need to know already," Rigg always said... To which Father always replied,"See how ignorant you are? You don't even know why you need to know the things you don't know yet." "So tell me," said Rigg. "I would but you're too ignorant to understand the reasons why your ignorance is a fatal disease.
In a fragment of a second you can understand: Things you know, things you don’t know, things you don’t know that you don’t know, conscious, unconscious, things which in a fragrant of a second you can react to: we can all imagine why this capacity was given to us as human beings - I guess to survive. Architecture to me has the same kind of capacity. It takes longer to capture, but the essence to me is the same. I call this atmosphere. When you experience a building and it gets to you. It sticks in your memory and your feelings. I guess thats what I am trying to do.
I have always been fascinated with romance and the fact that it is so effortless when we first fall in love but how it then becomes a conscious effort to stay creative and connected. Thats why I always say, 'Get wise: keep your romance alive.'
I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
The biggest threat to your creativity is the fear that it's already been done, said, created. (So why bother?)
Say it, do it, make it anyway - but tell YOUR story along the way.
The story of how you came to know what you know.
The story of what you want to know more of.
The story of why you do what you do.
The story of how you came to care.
And that's how you create what's never been created before.
Getting a great idea with song writing is a lot like love. You don't know why this one is different, but it is. You don't know why this one is better, but it is. It sticks in your head, and you can't stop thinking about it.
I do not know why I have always been fascinated by science or why I have been driven by the intense desire to make some original contribution. And although I have had some degree of success as a scientist, it is hard to say precisely why.
The answer to a lot of your life's questions is often in someone else's face. People's faces will tell you amazing things. Like if they are angry, or nauseous, or asleepTry to keep your mind open to possibilities and your mouth closed on matters that you don't know about. Limit your 'always' and your 'nevers.' Continue to share your heart with people even if it has been broken.
A woman journalist in England asked me why Americans usually wrote about their childhood and a past that happened only in imagination, why they never wrote about the present. This bothered me until I realized why - that a novelist wants to know how it comes out, that he can't be omnipotent writing a book about the present, particularly this one.
One of the things that always drives any practitioner of journalism crazy is you'll run it people who say why doesn't the media cover this or that? Well of course the media covered it. Why didn't you read about it? And, you know, it's, you know, there you are, it's not the journalist's job to knock down your door, you know, punch the URL into your computer and force you to stop watching the Kardashians and to read, you know, a report on integrity in government instead, it's your job.
(I've learned) how important it is to really evaluate your own life...to pay attention to what's going on in your own head, and to know that this is (your) life...and make conscious decisions about how you want to live it.
Why shed tears that you must die? For if your past life has been one of enjoyment, and if all your pleasures have not passed through your mind, as through a sieve, and vanished, leaving not a rack behind, why then do you not, like a thankful guest, rise cheerfully from life's feast, and with a quiet mind go take your rest.
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