A Quote by Anne Sexton

I wrote some serious stuff in high school; however, I hadn't been exposed to any of the major poets, not even the minor ones... I read nothing but Sara Teasdale. — © Anne Sexton
I wrote some serious stuff in high school; however, I hadn't been exposed to any of the major poets, not even the minor ones... I read nothing but Sara Teasdale.
I didn't care for most of the books I was being asked to read in school. I started reading like crazy right after high school when I got a job in a mental hospital. I was working my way through college, and I did a lot of night shifts, and there was nothing to do. So I read like crazy, serious stuff, all the classics.
My reading of serious books about serious music is seriously compromised by the way that I can't understand any musical theory. Any mentions of D major or C minor are meaningless to me.
I did take composition lessons when I was in high school, so I wrote piano pieces. I wrote some chamber music. I don't think any of that was particularly interesting.
I never could read Foucault. I find philosophy tedious. All of my knowledge comes from reading novels and some history. I read Being and Nothingness and realized that I remembered absolutely nothing when I finished it. I used to go to the library every day and read every day for eight hours. I’d dropped out of high school and had to teach myself. I read Sartre without any background. I just forced myself and I learned nothing.
I don't read books. I read 'On the Road' in high school, and that was awesome, so I guess that's my favorite book. 'To Kill a Mockingbird,' even though I didn't read it, that's the greatest story. SparkNotes came in when I was in high school, and that was the greatest invention.
I worked privately, and sometimes I feel that might be better for poets than the kind of social workshop gathering. My school was the great poets: I read, and I read, and I read.
Nothing is a hobby - each discipline is its own world with its own high standards. Of course, every artist has 'minor works' that they do, but I don't think I have any 'minor disciplines.'
When it comes to fertility, there are so may things that have to go right. In any one individual, there might be one major problem and two minor ones or no major ones and seven minor ones. Throw in another person's physiology, and it's complicated. I try to give people the knowledge that they can make as many changes as they want.
I wrote a whole solo album and recorded some of it, even did a little tour with Sara Lee and Gail Ann Dorsey.
The chances are that, in the course of his lifetime, the major poet will write more bad poems than the minor, simply because major poets write a lot.
All poets who, when reading from their own works,m experience a choked feeling, are major. For that matter, all poets who read from their own works are major, whether they choke or not.
I've been writing songs since I was like six or seven. I've been writing poetry and short stories and stuff, but my first serious, serious song, I wrote when I was fourteen.
When nobody read, dyslexia wasn't a problem. When most people had to hunt, a minor genetic variation in your ability to focus attention was hardly a problem, and may even have been an advantage. When most people have to make it through high school, the same variation can become a genuinely life-altering disease.
Where else can you go with respect to the work, lyrics, and message of the music? If you are past high school age, you can get by with saying very little the first or second time around. However, after a while you know you are going to have to say something beyond high school stuff.
We know that reading to children is a crucial step. From the beginning, babies who are read to are exposed to the cadence of language, and school-age children who read at home for 15 minutes a day are exposed to millions of words.
Mendelssohn never wrote any Water Music. However, he wrote the Scotch Symphony, which is even better, or at least stronger.
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