A Quote by Anne Sexton

All I am is the trick of words writing themselves. — © Anne Sexton
All I am is the trick of words writing themselves.
When you're writing something new, writing something that's your own, basically you have nothing else to do except either invent a trick, use someone else's trick, or have no trick and get a bad performance.
I approach writing a poem in a much different state than when I am writing prose. It's almost as if I were working in a different language when I'm writing poetry. The words - what they are and what they can become - the possibilities of the words are vastly expanded for me when I'm writing a poem.
There's no truth in acting, it's all a trick, because you go on stage in front of sets, you're on film - it's all a trick. I'm making it sound very - I really am demystifying it, but what I try to do, what I do, and I hope effectively, is to create a reality as if it is happening now, that you're fishing for words out of the air.
The trick to writing an aphorism is to place a period at the point where you're inclined to say, "in other words.
Whenever I'm in need of inspiration and mantras, I go straight to simple affirmations. 'I am strong', 'I am brave', 'I can do this' and 'I'm awesome'. Whatever you put after 'I am', you will become. 'I am' are the two most powerful words, so make sure what you say after 'I am' is what you want to experience. It's like a magic trick.
When I am writing political op-eds, I do think carefully about the impact of my words. When I am writing fiction, it's a different story. In my fiction I am more reckless. I don't care about the real world until I am done with the book.
What's the trick to writing a genuinely funny comedy? The trick is therapy. Take notes.
The whole trick is to make it feel like you're spying on real people's lives as they get through the day. When I'm writing, I have to trick myself as a writer. If I consciously say, 'I'm writing,' I feel all this pressure and somehow it doesn't feel as real as when it doesn't seem to count as much.
I am a teller of stories. A weaver of dreams. I can dance, sing, and in the right weather I can stand on my head. I know 7 words of Latin, I have a little magic... and a trick or two. I know the proper way to meet a dragon, I can fight dirty but not fair. I once swallowed thirty oysters in a minute. I am not domestic, I am a luxury and, in that sense, necessary.
It’s such a confidence trick, writing a novel. The main person you have to trick into confidence is yourself. This is hard to do alone.
Words are delicate instruments: How to use them so that, after having read the poem, the taste remaining is not of the words themselves, but of a thought, a situation, a parallel reality? If not used appropriately, words in poetry are like the ugly remains of food after eating. What I mean is that readers will reject words if they don't serve to shift attention from themselves to somewhere else.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
Sometimes when I am writing, I am aware of a rhythm, a dance, a fury, which is as yet empty of words.
I really love writing, but I am very easily distracted: my two cats fighting, a rainbow, a TV show... I have to use every trick to keep myself at the computer.
The idea of writing, to me, was, from the beginning, was writing something which was a little different from the ordinary exchange of speech. It was something that had a certain formality, something in which the words were of interest in themselves.
When you start writing the magic comes when the characters seem to take on a life of their own and write the words for themselves.
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