A Quote by Anne Sexton

Yes, I know.
Death sits with his key in my lock.
Not one day is taken for granted.
Even nursery rhymes have put me in hock. — © Anne Sexton
Yes, I know. Death sits with his key in my lock. Not one day is taken for granted. Even nursery rhymes have put me in hock.
There are two ways of dealing with nonsense in this world. One way is to put nonsense in the right place; as when people put nonsense into nursery rhymes. The other is to put nonsense in the wrong place; as when they put it into educational addresses, psychological criticisms, and complaints against nursery rhymes or other normal amusements of mankind.
Writing, for me, really started in the '70s as a young child. I used to read a lot of nursery rhymes, and I learned a lot of those rhymes word for word.
Someone told me the delightful story of the crusader who put a chastity belt on his wife and gave the key to his best friend for safekeeping, in case of his death. He had ridden only a few miles away when his friend, riding hard, caught up with him, saying 'You gave me the wrong key!
Do not be misled by the fact that you are at liberty and relatively free; that for the moment you are not under lock and key: you have simply been granted a reprieve.
A nursery rhyme shapes your bones and nerves, and it shapes your mind. They are powerful, nursery rhymes, and immensely old, and not toys, even though they are for children." "But they make no sense!" Summer protested "Ah, well," said Ben. "Sometimes sense hides behind walls. You must find a window and stick your head right in before you can see it.
I started writing rhymes first and then put it to the music. I figured out I could lock it to the beat better if I heard the music first. I like to get a lot of tracks, put the track up and let the music talk to me about what it's about.
It's impossible to be the Mockingjay. Impossible to complete even this one sentence. Because now I know that everything I say will be directly taken out on Peeta. Result in his torture. But not his death, no nothing so merciful as that. Snow will ensure that his life is much worse than death.
My mother read nursery rhymes to me, and my grandmother told me folk stories, but as a child I had no interest in writing whatsoever.
I tell young comics, 'Do you want this badly enough? It's there. But you have to go get it. And if you think I'm going to give you the key to the lock of that door, there is no key, there is no lock, and there is no door.'
The key to the city of Florence was about two feet long, and painted a garish gold. Hamilton was fascinated by it. "Wow! How big is the lock?" Jonah laughed. "There is no lock, cuz. It's an honorary gig. Back in my crib in LA, I've got a whole shed full of keys from different cities. Want to know the kicker? I can't get at them. The gardener lost the key to the shed.
If I try to summon back his face, the sound of his voice, and the sensation in my stomach like a key turning in a lock when he touched me, I lose everything.
Mama, Mama, help me get home I'm out in the woods, I am out on my own. I found me a werewolf, a nasty old mutt It showed me its teeth and went straight for my gut. Mama, Mama, help me get home I'm out in the woods, I am out on my own. I was stopped by a vampire, a rotting old wreck It showed me its teeth and went straight for my neck. Mama, Mama, put me to bed I won't make it home, I'm already half-dead. I met an Invalid, and fell for his art He showed me his smile, and went straight for my heart. -From "A Child's Walk Home," Nursery Rhymes and Folk Tales
I get inspiration from things that have nothing to do with painting: caricature, items from newspapers, sights in the street, proverbs, nursery-rhymes, children's games and songs, nightmares, desires, terrors. ... That question [why do you paint?] has been put to me before and my answer was, 'To give terror a face.' But it's more than that. I paint because I can't help it.
I'm a huge fan of Tupac. I'm from Chicago and his music helped me kind of get through that phase of my childhood, my teenage years. He was one of the biggest artists of all time and his music got me through just day to day life. He was a key to our generation and culture and he still is, even after his passing.
So I wait for the day when I'll hear the key as it turns in the lock And the guard will say to me, "Oh my patient prisoner you waited for this day and finally, you are free! You are free! You are free!
Every wrestler I've ever had critique me, they were always into my stuff or what I'm doing out there. For a non-wrestler, someone who doesn't even know how to lock up, and if we did lock up, they wouldn't know what to do, for them to critique any of us, it really does pop me.
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