A Quote by Anne Sexton

Though rain curses the window let the poem be made. — © Anne Sexton
Though rain curses the window let the poem be made.
With this pen I take in hand my selves and with these dead disciples I will grapple. Though rain curses the window let the poem be made.
A little tap at the window, as though some missile had struck it, followed by a plentiful, falling sound, as light, though, as if a shower of sand were being sprinkled from a window overhead; then the fall spread, took on an order, a rhythm, became liquid, loud, drumming, musical, innumerable, universal. It was the rain
I went to bed and woke in the middle of the night thinking I heard someone cry, thinking I myself was weeping, and I felt my face and it was dry. Then I looked at the window and thought: Why, yes, it's just the rain, the rain, always the rain, and turned over, sadder still, and fumbled about for my dripping sleep and tried to slip it back on.
[Every disappointment or misfortune can become a blessing in disguise, for which we should be grateful. But only if the hidden blessing is anticipated, expected and searched for will it be found and recognised as such and the most made of it. For example...] Many a man curses the rain that falls upon his head, and knows not that it brings abundance to drive away hunger.
Many a man curses the rain that falls upon his head, and knows not that it brings abundance to drive away the hunger.
I don't know if there is actually more rain here in England, or if it was just that the rain seemed to be so deliberately annoying. Every drop hit the window with a peevish "Am I bothering you? Does this make you cold and wet? Oh, sorry.
Let the rain kiss you. Let the rain beat upon your head with silver liquid drops. Let the rain sing you a lullaby. The rain makes still pools on the sidewalk. The rain makes running pools in the gutter. The rain plays a little sellp-song on our roof at night- And I love the rain.
A yellow fog swirls past the window-pane As night descends upon the fabled street: A lonely hansom splashes through the rain, And ghostly gas lamps fail at twenty feet. Here though the world explode, these two survive, And it is always eighteen ninety-five.
Rain harvesting should be made mandatory and should be made more systematic to ensure that every drop of rain is preserved.
Curses are children of hate; they belong to the wrong family! Prayers are better than curses!
And what does the rain say at night in a small town, what does the rain have to say? Who walks beneath dripping melancholy branches listening to the rain? Who is there in the rain’s million-needled blurring splash, listening to the grave music of the rain at night, September rain, September rain, so dark and soft? Who is there listening to steady level roaring rain all around, brooding and listening and waiting, in the rain-washed, rain-twinkled dark of night?
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout. Another, more fundamental statement in poetry, is made through the images themselves those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.
On the mainland, a rain was falling. The famous Seattle rain. The thin, gray rain that toadstools love. The persistent rain that knows every hidden entrance into collar and shopping bag. The quiet rain that can rust a tin roof without the tin roof making a sound in protest. The shamanic rain that feeds the imagination. The rain that seems actually a secret language, whispering, like the ecstasy of primitives, of the essence of things.
Do not wait for a poem; a poem is too fast for you. Do not wait for the poem; run with the poem and then write the poem.
It's like a kid standing at the window watching the rain.
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