A Quote by Anne Sexton
As a writer one has to take the chance on being a fool.
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writers of novels are so busy being solitary that they haven't time to meet one another. But then, a writer learns nothing from a writer, conversationally. If a writer has anything witty, profound or quotable to say he doesn't say it. He's no fool. He writes it.
Perhaps there is a reason that there is no fool piece on the chessboard. What action, a fool? What strategy, a fool? What use, a fool? Ah, but a fool resides in a deck of cards, a joker, sometimes two. Of no worth, of course. No real purpose. The appearance of a trump, but none of the power: Simply an instrument of chance. Only a dealer may give value to the joker.
To have the chance of being loved we have to take a chance on being destroyed inside
Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error. The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him.
It has been said that there is no fool like an old fool, except a young fool. But the young fool has first to grow up to be an old fool to realize what a damn fool he was when he was a young fool.
We could almost say that being willing to be a fool is one of the first wisdoms. So acknowledging foolishness is always a very important and powerful experience. The phenomenal world can be perceived and seen properly if we see it from the perspective of being a fool. There is very little distance between being a fool and being wise; they are extremely close. When we are really, truly fools, when we actually acknowledge our foolishness, then we are way ahead. We are not even in the process of becoming wise — we are already wise.
In a universe governed by God there are no chance events. Indeed, there is no such thing as chance. Chance does not exist. It is merely a word we use to describe mathematical possibilities. But chance itself has no power because it has no being. Chance is not an entity that can influence reality. Chance is not a thing. It is nothing.
For an actor who has the ability to take a chance, which may make him look like a fool, but may end in the pot of gold at the end of the rainbow so to speak. So you have to take chances to be a bit dangerous and a bit silly every now and then and playful.
The hardest thing about being an unpublished writer is that there's always that voice in your head that asks if you're really being a fool. You might just really stink and not know it. You have to have a lot of blind faith in the process. You have to like it so much that you're going to do it anyway.
If a man is a fool, you don't train him out of being a fool by sending him to university. You merely turn him into a trained fool, ten times more dangerous.
To exist without purpose is to be at the mercy of the chance encounter, the chance invitation, the chance phone call, the chance event- always being controlled by forces external to oneself.
If you don't believe in yourself, and you don't have the fortitude to make that dream happen, why should the hotshots in the publishing world take a chance on you? I don't believe that you need an MFA to be a writer, but I do think you need to take some good workshops.
You either decide to take the easy way out, which means you're only going to disappoint yourself and everybody else, or you take the risk right now of being a fool, which is the only way you'll end up being exhilarated later on when you actually watch the movie.
The reactionary suicide is ‘wise,’ and the revolutionary suicide is a ‘fool,’ a fool for the revolution in the way Paul meant when he spoke of being a ‘fool for Christ,’ That foolishness can move mountains of oppression; it is our great leap and our commitment to the dead and the unborn.
Being a writer - even a best-selling one - is usually not anywhere near as public as being a movie star, at least not when I'm out in 'real life' like this. Not that I don't use what fame I have, every chance I get, to help sell more books.
All right, I'll take a chance. I will fall in love with you. If i'm a fool you can have the night, you can have the morning too. Can you cook and sew. make flowers grow. Do you understand my pain? Are you willing to risk it all or is your love in vain?
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