A Quote by Anne Sexton
Suicides have a special language. Like carpenters they want to know which tools. They never ask why build.
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But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. Twice I have so simply declared myself, have possessed the enemy, eaten the enemy, have taken on his craft, his magic.
The primary needs can be filled without language. We can eat, sleep, make love, build a house, bear children, without language. But we cannot ask questions. We cannot ask, 'Who am I? Who are you? Why?
The dragonets found the carpenters to be even more fascinating than the furniture, and followed the poor men from pen to pen, crowding around to watch, tasting the wooden planks, trying to steal the tools. It made for an interesting day for everyone, as the boys tried to keep the dragonets away from the carpenters, and the dragonets tried to get at the carpenters, and the carpenters worked probably a great deal faster than they ever had in their lives, sure that the dragonets would go from tasting the wood to tasting them.
Despite all their fears, we ask very little of the ones who never loved us. We do not ask for sympathy or pain or compassion. We simply want to know why.
The mathematical question is "Why?" It's always why. And the only way we know how to answer such questions is to come up, from scratch, with these narrative arguments that explain it. So what I want to do with this book is open up this world of mathematical reality, the creatures that we build there, the questions that we ask there, the ways in which we poke and prod (known as problems), and how we can possibly craft these elegant reason-poems.
This faith, is not like a deed to a house in which one may live with full rights of possession. It is more like a kit of tools with which a man may build himself a house. The tools will be worth just what he does with them. When he lays them down, they will have no value until he takes them up again.
Theatres, actors, critics and public are interlocked in a machine that creaks but never stops. There is always a new season in hand and we are to busy to ask the only vital question which measures the whole structure. Why theatre at all? What for? Is it an anachronism, a superannuated oddity? Surviving like an old monument or a quaint custom? Why do we applaud and what? Has the stage a real place in our lives? What function can it have? What could it serve? What could it explore? What are its special properties?
If you really want to know about the future, don't ask a technologist, a scientist, a physicist. No! Don't ask somebody who's writing code. No, if you want to know what society's going to be like in 20 years, ask a kindergarten teacher.
You know when you hear the 22 suicides a day it's a big part of your question. But when you hear the 22 suicides a day that should never be.
We never really know what we want until after we get it. If after we get it, it makes life more miserable, we know that isn't what we wanted. If it makes our life wonderful, we know this is a strategy which will meet out need. That's why Paul Tillich, the theologian says we need to sin courageously. You ask for what you want, hoping to meet your needs. If you get it and it makes life worse, you learn that this isn't what I want.
I want to ask you to place a significant seed in God's soil and see it work for you. Just as a special sacrifice was offered on the Day of Atonement, let me ask you to bring a very special offering.
People always ask me why I still want to play, but I want to know why no one will give me an opportunity. It's like they put a stamp on me: 'Hall of Fame. You're done. That's it.'
A special kind of beauty exists which is born in language, of language, and for language.
People always ask me why I still want to play, but I want to know why no one will give me an opportunity. It's like they put a stamp on me: 'Hall of Fame. You're done. That's it.' It's a goddamn shame.
In America, they never make anything without first having a market survey to ask the public what they want. People only ask for things they already know about, so you don't get anything new that way. That's why American fashion is stuck.
We make tools for people. Tools to create, tools to communicate. The age we're living in, these tools surprise you. ... That's why I love what we do. Because we make these tools, and we're constantly surprised with what people do with them.
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