A Quote by Anne Sexton
So I won't hang around in my hospital shift,
repeating The Black Mass and all of it.
I say Live, Live because of the sun,
the dream, the excitable gift.
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Say to them, say to the down-keepers, the sun-slappers, the self-soilers, the harmony-hushers, "Even if you are not ready for day it cannot always be night." You will be right. For that is the hard home-run. Live not for battles won. Live not for the-end-of-the-song. Live in the along.
It's very important where you live. Because where you live, the energies make it easier or more difficult to dream. In certain places dreams are very manifest and very strong. So you should always pick a place to live that's good to dream in. One of the best places to dream is by the ocean.
Life is so precious, such a gift, you have to live for you. Live your own truth, live the life that God has put you and nobody else on this Earth to live and not what somebody might be telling you to live.
That's another pompous expression that is out of fashion, to say that poetry is a gift. It sounds pompous because you say, 'Who gave you the gift, and what is this gift?' And the gift is where I am; the gift is what I have come out of, the people around me who, I think, are beautiful people.
They chatter together like birds on Cypress Hill, but all they say is 'Live, live, live, live, live!' It's all they've learned, it's the only advice they can give.
The American Dream is individualistic. Martin Luther King's dream was collective. The American Dream says, "I can engage in upward mobility and live the good life." King's dream was fundamentally Christian. His commitment to radical love had everything to do with his commitment to Jesus of Nazareth, and his dream had everything to do with community, with a "we" consciousness that included poor and working people around the world, not just black people.
Live while you live, the epicure would say,
And seize the pleasures of the present day;
Live while you live the sacred preacher cries,
And give to God each moment as it flies.
Lord, in my views let both united be;
I live to pleasure when I live to thee.
'Smart Funny and Black' is basically a live black pop culture game show that I created. We have a live band. We have two contestants that we call 'blacksperts.' They come on stage and compete in games that I've created that test their knowledge of black culture, black history, and the black experience.
Live your life, experience something, and then you're going to have a lot of things to say. But if you hang around in Hollywood, then you're going to say the same thing as everyone else - nothing.
Carrying The Beatles' or the Sixties' dream around all your life is like carrying the Second World War and Glenn Miller around. That's not to say you can't enjoy Glenn Miller or The Beatles, but to live in that dream is the twilight zone. It's not living now. It's an illusion.
I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
When someone gives the hospital a gift of $5 and you know he can afford less than that, thank him profusely. When someone gives the hospital a gift of $5,000 and you know he could afford five times that, say "that will help."
People in America, of course, live in all sorts of fashions, because they are foreigners, or unlucky, or depraved, or without ambition; people live like that, but Americans live in white detached houses with green shutters. Rigidly, blindly, the dream takes precedence.
I am a black American, I say, and thus announce my atavistic connection to all others who live as black Americans, to all who ever lived as black Americans. Religion, caste, class, gender and race can all be atavisms, and they are inherently anti-democratic because they exclude all outside the atavism.
Live now, live today - don't be bound by rules, live your own dream.
In South Africa, being Chinese meant I wasn't white and I wasn't black. I trained in Baragwanath Hospital, the largest black hospital in South Africa. That was around 1976, the time of the Soweto Uprising, when police fired on children and students who were protesting. I was part of the group of interns who volunteered to treat them.
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