A Quote by Anne Stevenson

I remain loyal to Bach, Mozart, Beethoven and Schubert in music and to Shakespeare and Jane Austen in literature. — © Anne Stevenson
I remain loyal to Bach, Mozart, Beethoven and Schubert in music and to Shakespeare and Jane Austen in literature.
Composers most identified with the chamber music form are Corelli, Vivaldi, Haydn, Mozart, Beethoven, Schubert and, of course, Bach. Of course, Bach. If there is any one composer who gives us reason and emotion, it is Bach.
My music wasn't written by Mozart, Beethoven, Bach or Schubert. It's written by God and me. They go "a one and a two and up." We start on the downbeat. Bam! And that's where we got them.
Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare.
I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner.
When you hear Bach or Mozart, you hear perfection. Remember that Bach, Mozart and Beethoven were great improvisers. I can hear that in their music.
I once rented the Georgian town house that Jane Austen lived in down by the Holburne Museum - so I lived in Jane Austen's house, and slept in Jane Austen's bedroom. You can walk along these Georgian streets and it's like you're in a Jane Austen period drama.
You can't have Bach, Mozart and Beethoven as your favorite composers. They simply define what music is!
In my study I can lay my hand on the Bible in the pitch dark. All truly inspired ideas come from God. The powers from which all truly great composers like Mozart, Schubert, Bach and Beethoven drew their inspirations is the same power that enabled Jesus to do his miracles.
Mozart is a garden, Schubert is a forest in light and shade, but Beethoven is a mountain range.
And I love Jane Austen's use of language too--the way she takes her time to develop a phrase and gives it room to grow, so that these clever, complex statements form slowly and then bloom in my mind. Beethoven does the same thing with his cadence and phrasing and structure. It's a fact: Jane Austen is musical. And so's Yeats. And Wordsworth. All the great writers are musical.
I think Jane Austen is like Shakespeare, in a slightly different way. I think people will continue to revisit these stories because they remain relevant, regardless of how you do them.
I'm totally in love with Jane Austen and have always been in love with Jane Austen. I did my dissertation at university on black people in eighteenth-century Britain - so I'd love to do a Jane Austen-esque film but with black people.
Beethoven for listening; Liszt, Chopin, and Beethoven for playing as well as Bach and Prokofiev and so on. If I kept going, this list would spiral. It's as wide as literature; in fact, it is probably wider.
My grandmother was a classical pianist, so I grew up with Schubert, Mozart, Beethoven. I studied piano as a kid. My musical background and upbringing was very much a mix.
I listen only to Bach, Beethoven or Mozart. Life is too short to waste on other composers.
In Bach, Beethoven and Wagner we admire principally the depth and energy of the human mind; in Mozart, the divine instinct.
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