A Quote by Anne Truitt
artists often lie behind on the field long after the art combine, the broad-bladed harvester of informed criticism, has mowed, bailed, and stored the crop.
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The phrase 'NFL combine' always sounds redundant, because the league is a combine harvester, reaping and threshing everything in its path.
My introduction to art was winning a Weetabix drawing competition: I did a picture of a combine harvester. My sister used to read Jackie magazine in those days, so next I drew a picture of Mark Bolan for them and won a prize.
We went from crop to crop, field to field. And my father had that army truck, a 1940s army truck from Fort Bliss, El Paso.
The shadows of the mind are like those of the body. In the morning of life they all lie behind us; at noon we trample them under foot; and in the evening they stretch long, broad, and deepening before us.
Perhaps art criticism cannot be reformed in a logical sense because it was never well-formed in the first place. Art criticism has long been a mongrel among academic pursuits, borrowing whatever it needed from other fields.
Regard the heart as a vast field. Use the mind as a plough. Treat the gunas (qualities) as bullocks. Use the intelligence (Viveka) as a whip. With these aids, cultivate the field of your heart. What is the crop that is to be grown in it? Sathya, Dharma, Santhi and Prema are the crops. Bhakthi is the rain, meditation is the manure, Brahmananda is the crop.
Sometimes there are painters or very famous artists who start to become artists after they are dead because an audience or a public know about their art after they die.
There is a slight problem with being a conceptual artist these days: You won't get paid. But this levels the field and takes the art of money out of the field of serious art. The only conceptual artists who would conceive of making money on the Internet are a lowbrow species known as hustlers.
When people see one of these new forms of art for the first time, often they can't make sense of it. Then, if it's around long enough, a lot of people get used to it and it becomes assimilated into culture. So there's a morphic field both for the kind of art and for the appreciation of it.
In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning.
There is a good deal of art that in some traditions of conceptual work are anti-affect, in fact a very large chunk of mainstream art after 1950 took against affect art altogether because they said, "No, we hate affect art because this is how we get manipulated by totalitarianism and therefore artists shouldn't play that game." And a lot of artists agreed to play that game, which I personally believe is to the loss of art.
I'd just find a story in Canada and come and do it. Combine harvester banger - actually I've done that: banger racing up in Red Deer [in Alberta, for his 1998 doc series Extreme Machines].
A combine is a series of athletic tasks that help a coaching staff measure an athlete's ability to be competitive in a sport. A bobsled combine requires a sprint, broad jump, two-handed shot toss, and a back squat and power clean.
Though Israel may often be deserving of criticism, what is missing is the comparable criticism of equal or greater violations by other countries and other groups. This constant, often legitimate criticism of Israel for every one of its deviations, when coupled with the absence of legitimate criticism of others, creates the impression currently prevalent on university campuses and in the press that Israel is among the worst human rights violators in the world....it is not true, but if it is repeated often enough, it takes on a reality of its own.
I get a great laugh from artists who ridicule the critics as parasites and artists manqués — sucha horrible joke. I can’t imagine a more perfect art form, a moreperfect career than criticism. I can’t imagine anything more valuableto do.
A definite factor in getting a lie believed is the size of the lie. The broad mass of the people, in the simplicity of their hearts, more easily fall victim to a big lie than to a small one.
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