A Quote by Anne Tyler
Not until the final draft do I force myself to remember that I'm going to have to think about how it will affect other people.
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I'm the only one in Tulsa, Oklahoma, that has Final Draft on my computer. Then you show up and go to any coffee shop in L.A., and there are a hundred people your age with Final Draft.
Well, now, and there's - for every dollar the federal government spends, there's real people on the other side, and so when we talk about reductions that are going to affect providers, that's going to affect hospitals and doctors and others.
You're responsible for your own character to a degree, because when it comes to the final draft of the script, you might say, "Well, I think maybe I could add this here, add that there." But I find that I write just as well for the other characters as I do for myself. I think.
I don't think that comedy is going to affect or change anything. I remember back in 2004 people were like, "How does it feel knowing that you're going to be part of the shifting tide in the political system?" And in the end nothing changed, and we weren't part of anything. And we're not happy anywhere. I think we're kind of hoping, obviously, but it didn't really have a great impact on people.
I never remember having a plan. All I could think about was how I was going to afford to get into college or where I was going to stay because I hated being at home. I didn't really have time to think about anything in the future. I didn't think about a career or anything. I went to uni, got a couple of jobs, so I sort of funded it myself.
I think it's really important to not talk about how you're going to release something until you've finished it. People are like, "What are we going to make? What are we going to do with it?" and it's just like, "I don't know, we're just making music. Then we'll talk." You can't always write something you're happy with; you can't force it.
Nothing is too controversial, but you have to think about how to do it with sensitivity. I don't try to be insensitive. I think really, really carefully about exactly what things mean and how they will affect people.
I see myself as the No. 1 player in the draft, but it is what it is. You can just take it day-by-day, put in the work, and the draft is going to be the outcome of whatever the draft is.
I don't think you think of your audience as much as you think, when you're revising, how it holds together. I mean I think the first draft is art, and the second draft, third, fourth draft is craft. Putting it together so that it has a good pattern.
I'm not a politician, but ISIS is a problem, and this matter should be solved very quickly. This will affect existing production, it will affect investment, it will affect the behaviour of people. It will affect the area tremendously.
Today I will realize that I'm powerless over other people's expectations of me. I'll think about what I want and consider that how I respond to others' needs will affect the course of my life. I will own my own power and choose the course that's right for me.
They used to ask: "How will this decision that we make today affect our people in the future?" Now we make decisions based on: "How does it affect me, now? How does it affect the next shareholders meeting, three months ahead? How does it affect my next political campaign?"
I'm going to remember this, I told myself sternly. I'm going to remember how awful they made me feel today. So when I'm scared and alone and whatever else is going to happen to me starts to happen, I'm going to remember that nothing about be as bad as being stuck here.Nothing.
I didn't know there was an NBA draft. But in my mind, I was always telling myself, one day, 'I'm going to be in professional basketball.' And I believed it. One day, I will. I believe this every day. I think about this every day. I was going to do whatever I had to do to be there. And it comes true.
I am a technophile, so there is no such thing as a first draft. The first draft plunges on, and about a quarter of the way through it I realise I'm doing things wrong, so I start rewriting it. What you call the first draft becomes rather like a caterpillar; it is progressing fairly slowly, but there is movement up and down its whole length, the whole story is being changed. I call this draft zero, telling myself how the story is supposed to go.
I thought for a long time that within art, that you would come up with an idea, you would labor over it intensely until you felt like it was done, and then when you finished it, that was the final stage. I started to realize that that's not actually the completion of it. The final stage of any kind of art is to really lose control over it and let it affect other people. You can't control the effect that it has on people, but you hope that it has some sort of reaction. You just hope that they're not indifferent to it, you wanna make people feel something, whether it's love or hate.
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