A Quote by Anne Tyler
I consciously try to end my novels at a point where I won't have to wonder about my characters ever again.
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Frank Sobotka in 'The Wire' on HBO was one of the greatest characters I've ever played. They cut his throat at the end of that season. There's something about creative coupling that seems to go with great characters, and the fact that you can never play them again once you're done.
In your life you meet people. Some you never think about again. Some, you wonder what happened to them. There are some that you wonder if they ever think about you. And then there are some that you wish you never have to think about again. But you do.
It’s the ability to bring events and characters to a resolution that draws me to writing, especially writing for children. I don’t want to ever be didactic, but if there’s something I do want to say, it’s that you can bring things around. You can make a change. Adult novels are about letting go. Children’s novels are about getting a grip.
We [me and Jennifer Salke] talked about the characters and different kinds of families and where are we today. We certainly pitched the gay couple, but we also talked about what it was like to be a single mother with a young daughter, what is it like to be a woman in your 50's who is completely starting over and dating again and having to go online to date again. We talked about the whole spectrum of the characters, but I don't think it ever came up about whether people are ready for it or not.
Even in horror novels where you know most characters aren't going to make it to the end, it's crucial to have fully fleshed-out characters. If you don't do that, the reader doesn't care what happens to them.
There are twenty-four characters in this book named Max. Let there be an end to this silly business of authors never giving their own names to characters in their novels. False modesty, faugh!
I think up to this point, it's been difficult to suggest a world where Batman and Superman and Wonder Woman and others could exist in the same universe. That was one of the things I really wanted to try and get at. Not to mention, the amazing opportunity to bring those characters and have those characters tell an important story, their own story, within the confines of a film.
I consciously try not to play favorites with my characters or my books.
My books usually end where they began. I try to bring characters back to a point that is familiar but different because of the growth that they have gone through.
I really do believe that people surprise you. And one of the powerful things about novels is that they're about characters, and those characters live their lives.
Listen to these wounds of pain put in the form of questions to me by a young woman who had had two abortions: "I wonder about the spirits of those I had aborted, if they were there, if they were hurt? I was under three months each time, but a mother feels life before she feels movement." "I wonder if they are lost and alone?" "I wonder if they will ever have a body?" "I wonder if I will ever have a chance again to bring those spirits back as mine?" Alas, brothers and sisters, "wickedness never was happiness" (Alma 41:10).
I just reached the point where plot-driven novels don't hold my interest because I don't care about the fate of characters anymore - whether Emily marries Tom or not, that kind of thing.
If at first you don't succeed, try, try again. Then quit. There's no point in being a damn fool about it.
I do try to think if I can afford not to do something I don't want to do, and if I can, then I don't do it, that's for sure. But the consequence of that is that you can be unemployed, it can make you feel ghastly, because you wonder if you will ever work again.
While I've written in the POV (point of view) of adolescent characters before... I never have had to create novels in which those characters not only drive the plot, but also are instrumental in resolving whatever issue the plot deals with.
I try to represent specific experiences of specific characters, and that's all I want to try to do. I don't ever try to think about representing a culture, because its impossible, and someone will fault you. And it just doesn't interest me.
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