A Quote by Anne Tyler

I spend about a year between novels — © Anne Tyler
I spend about a year between novels
I spend about a year between novels.
French novels generally treat of the relations of women to the world and to lovers, after marriage; consequently there is a great deal in French novels about adultery, about improper relations between the sexes, about many things which the English public would not allow.
When I was young, there was no such thing as YA. You simply went from reading children's novels to reading adult novels. So one year, I was reading Tove Jansson, and the next year, I was reading Stephen King.
All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.
I use the period between Christmas and New Year to potter about, think and completely change my mindset. In that easy no-man's-land between Boxing Day and New Year, loins are girded and mettle readied. It is time, as we voyagers bid farewell to the old year, to fare forward.
In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.
To spend time in Silicon Valley in a year of political upheaval is, on one level, soothing. It is pleasant to hear talk of wearables, walled gardens, and disruptive beverages in between updates about mass deportation.
We spend more time with our coworkers than we do with our loved ones, and yet we don't have that many novels on the subject. We have far more novels about families bickering at Thanksgiving and not enough about the day before Thanksgiving at the office. If we lived in, say, Romania, maybe a workplace job might not be as important to the cultural discussion. But we live in America, where work is crucially important and capitalism drives everything we do.
When I am writing novels I don't read a lot of novels so I try to catch up in-between.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
I can only write one novel at a time. The author of the Perry Mason novels, Erle Stanley Gardner, often worked on four novels simultaneously, and produced a million words a year. I'm envious.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
I obviously prefer writing novels but I take my journalism very seriously, and I enjoy doing it between novels. It gives me an opportunity to move in the outside world.
England is my home. London is my home. New York feels like, if I have to spend a year living in an unfamiliar city, this is a pretty lovely one to spend a year in, but I will be going home at the end of it, certainly.
When you're writing a novel, you spend four years sitting in your basement and a year waiting for the book to come out and then you get the feedback. When you do work online, the moment you're finished making it, people start responding to it which is really fun and allows for a kind of community development you just can't have in novels.
I'm a severe graphic novels junkie. People ask me about it, and I say I like the graphic novels. Comic books are for kids, and graphic novels are for adults. But you can't really separate the two.
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