A Quote by Anne Tyler
The first-person viewpoint is more enjoyable to write, because it lets me meander more freely, and it can reveal more of the character's self-delusions. Really all the advantages are with first-person, so I'm sorry I don't get to pick and choose.
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I've written short stories in first person, but you have so much more control writing in third person. Third person, you know what everybody's thinking. First person is very limiting, and I could never sustain a first person novel before.
First person allows deeper insight into the protagonist's character. It allows the reader to identify more fully with the protagonist and to share her world quite intimately. So it suits a story focused on one character's personal journey. However, first person shuts out insights into other characters.
The way that I see third person is it's actually first person. Writing for me is all voice work. Third person narrative is just as character-driven as first person narrative for me in terms of a voice. I don't write very much in third person.
For me, personally, I'm more comfortable with what I would call third-person entertainment, meaning watching a character that's explicitly not me and experiencing something through a character's eyes, than what I would call first-person entertainment, which is a video game in which I am the character.
It was great for that to be my first movie with such a wonderful cast, and such a huge movie. And now I get to do The Fighting Temptations, which is coming out soon-it wasn't much of a character, it was more of a real person, so I got to show more of my acting range.
I write in the first person because I have always wanted to make my life more interesting than it was.
In my view, philosophers have shown a great deal more respect for the first-person point of view than it deserves. There's a lot of empirical work on the various psychological mechanisms by way of which the first-person point of view is produced, and, when we understand this, I believe, we can stop romanticising and mythologising the first-person perspective.
I think I've changed more as a person and, as I change as a person, there is new added creativity. I've seen more... I've met more people, done more things with dogs, and walked on more beaches since the beginning. The more I see, the more I wanna do; and the more I do, the more I wanna see.
If I meet someone who's Native American and I don't know anything about indigenous people in New Jersey - which I kind of don't, which is not really good - I can learn more and more about their lives, and that makes me a more open person and a more accepting person.
Songwriters I've always been drawn to are people who deal with something of depth in the lyric writing. ...I've always been influenced by the folk song, the storytelling tradition in folk music. And so for years I wrote mostly story songs. I still do that, but as I've gone on, it's gotten a little more personal. I used to write mostly in the third person. I write a little more in the first person now.
'District 9', 'Elysium' and 'Chappie' were all born out of some visual concept first. 'Chappie' is the imagery, because I think I'm a visual person first, of this ridiculous robot character. It's much more comedy based and in an unusual setting.
When I say 'The Hunger For More', it could be referring to more success. It could be more money, or respect, more power, more understanding. All of those things lead up to that hunger for more, because my more isn't everybody else's more. I feel like I made it already, because I got already what everybody on the corners of the neighborhood I grew up in is striving to get. God forbid anything happen to me, my family is straight. So anything that happens after this is just me progressing as a person.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
I think first-person narrators should be complex, because otherwise the first-person is too shallow and predictable. I like a first-person narrator who can't totally be trusted.
If you're reading a book that I've written in the first person, without named characters, you will periodically perhaps as a reader remind yourself: Well, this is or isn't the author. This is a character.I think the second person turns that dynamic onto you, or situates it within you: This isn't really me, but what aspect of the character is really me? That creates a loop of seduction.
In order for a person of color to get on a cover of a magazine, they have to do something prolific - winning an Oscar, being the first billionaire, you know, or whatever. I think it's becoming more natural that somebody can get on the cover of a magazine just because they're an amazing person. That's what it should be.
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