A Quote by Anne Waldman
Certainly the beat writers I've known who carried forward the original, you know, I'd say that came together in the 1940s and 50s. So I was inheriting in a way some of that ethos.
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Most writers are secretly worried that they're not really writers. That it's all been happenstance, something came together randomly, the letters came together, and they won't coalesce ever again.
In the '50s, '60s, '70s, before television became easily accessible, even the most well-known writers were not recognised. The writers remained mostly an anonymous lot then.
The student-athlete of today is different than I was, and certainly different than back in the 1940s and '50s.
The American Catholic Church made statements on racism as far back as the 1940s and '50s. 'Colored' Catholic girls could not live in the dorms at Catholic University - the bishops' university - up into the 1940s.
Some soldier will say, 'You know, sir, you and I have some political disagreements, but I'm glad you came all the way out here.' And you know, you say, 'Well, maybe one day you'll see the light but I'm glad to be out here with you.'
My father shared the ethos of many of the beat writers and was a friend of Allen Ginsberg. Probably for 25 years of my father's life, He had been an itinerant piano player and so traveled the road with bands and that sort of thing.
You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.
I was able to work out all sorts of attitudes to style and event and character, all of which affected the way I came to think about my own writing. I believe that all good writers are original.
Look what we are trying. You call it dharma, but it is not. What we are trying is to come together; come together to an understanding. The difference is, the discipline is, the commitment is that we are going to come together with the following guiding lines: 'May the long time sun shine upon you, all love surround you, and the pure light within you guide your way on.' When we came together we decided we would guide our way on. My way and your way we already know, so we do not need to learn that. Each one of you knows 'my' way and 'your' way. All we have to learn is 'our' way."
I remember the 1940s as a time when we were united in a way known only to that generation. We belonged to a common cause-the war.
Freud did some serious damage to American literature - a lot of writers began therapy in the 1940s, after which they all became terribly egocentric.
Of the great singing stars of the 1940s and '50s, only one - Nat King Cole - died young, at age 45.
Even though this is late in an election year, there is no way we can go forward except together and no way anybody can win except by serving the people's urgent needs. We cannot stand still or slip backwards. We must go forward now together.
The latter 1940s and early '50s were a time of tense, explosive conflict, in the world at large and in the politics of our nation.
I came into my own, you might say, in terms of putting out my first record quite late in life. And yet there's some authors and photographers and even probably recording artists that didn't really hit their stride until their mid-50s.
Certainly, we all have within us the potential to live in a hugely different way. And how happy you can make yourself, I think, a lot depends on how much you beat yourself up about that; and how much you can, in some sort of providential way, console yourself and say, 'Well, it's all worked out for the best, in the best of all possible worlds.'
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