A Quote by Anne Waldman

I'm drawn to the magical efficacies of language as a political act. — © Anne Waldman
I'm drawn to the magical efficacies of language as a political act.
Language is inexorably tied to power and understanding. And power and understanding are the roots of magic. Just the act of writing something down is a magical act.
I define my work as a feminist act and a political act because I'm black and a woman. You don't necessarily have to claim that, but the act of making art itself is a political and feminist act when you're a woman.
In our time, political speech and writing are largely the defense of the indefensible... Thus, political language has to consist largely of euphemism, question-begging, and sheer cloudy vagueness... Political language [is] designed to make lies sound truthful and murder respectable.
The act of language or the act of denying language carries its own heaviness.
To me the drawn language is a very revealing language: one can see in a few lines whether a man is really an architect.
I have a magical work in a magical way. I give magical service for magical pay.
I seem to be quite drawn to the medieval, magical fantasies, as it were.
Voting is not an act of political freedom. It is an act of political conformity. Those who refuse to vote are not expressing silence. They are screaming in the politician's ear: 'You do not represent me. This is not a process in which my voice matters. I do not believe you.'
I'm very political without being political. I don't know how to speak proper political language.
Every intentional act is a magical act.
Imagine (if you dare) a whimsical marriage of Lord Dunsany and S.J. Perelman, and you have something approaching the tales of Rhys Hughes, filled with gaudy colour, slapstick, puns, fantastic creatures, and the occasional unexpected chill. Hughes' world is a magical one - and his language if the most magical thing of all.
War is not merely a political act but a real political instrument, a continuation of political intercourse, a carrying out of the same by other means.
I think everybody's political. The act of being alive is political. Unless you choose to be a hermit, you're automatically political because you're part of a community.
Politics is different than movies. Politics are controlled by leaders. Leaders of every country have different interests. And they try to explain to their people why they should take one side or the other side. But in the movie its doing the opposite. It allows you to have a Universal Experience. You don't watch it as politics but as a movie. You don't have different reactions all over. It's so universal a language. It's not a political language serving a political agenda. The language of cinema is a world language. With the Hollywood movie, it brings about the same reaction wherever it goes.
I love the best of all the traditions. My discipline is the take-no-prisoners language of good poetry, but a language that actually frees us from prejudice, no matter what religion or political persuasion they are. I try to create a river-like discourse. The river is not political, it's not on your side or against you. It's an invitation into the onward flow.
It's one of those magical acts that is so poly-sensorial and culturally enriching that as a designer one is naturally drawn to the cult of the object
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