A Quote by Anne Waldman

There's that older poem of John Ashbery's-"America"-with the pun "I'm a wrecker," so wreckage and building out of the ashes of that. We're haunted by the genocide that is America, the decimation of so many native cultures. As a mix-blood European ancestry American, you're a nexus of all those violences, and yet there's a relative personal identity as well.
'Avatar' imaginatively revisits the crime scene of white America's foundational act of genocide, in which entire native tribes and civilizations were wiped out by European immigrants to the American continent.
All of the guests on 'Faces of America' were deeply moved by what we revealed about their ancestry. We were able to trace the ancestry of Native American writer Louise Erdrich back to 438 A.D. We found that Queen Noor is descended from royalty, and that's before she married King Hussein of Jordan.
It's the first thing liberals notice about people is what group are you in! "What group do I put you in? Are you a woman? Are you lesbian? Are you straight? Are you Native American? Are you African-American? Are you a mix? What are you?" That's how they see people, because that then identifies the victim status they hold. Victims of what? Victims of America! All these people are victims of America, "the white, patriarchal majority." They're all victims of America, as the left sees them.
South America had been an island continent, far bigger and far more diverse than Australia, for tens of millions of years before the Isthmus of Panama rose just a couple of million years ago. The resulting flood of North American mammals across the new land bridge corresponds in time with the decimation of the native South American fauna. In fact, most large mammals generally considered distinctly South American... are all recent migrants from North America.
politics ... is the hottest, most dangerous subject in the land. It's not only a conversation-wrecker, it's a friendship-wrecker, a family-wrecker, a job-wrecker, a future-wrecker.
Automobile in America,Chromium steel in America,Wire-spoke wheel in America,Very big deal in America!Immigrant goes to America,Many hellos in America,Nobody knows in America,Puerto Rico's in America!I like the shores of America!Comfort is yours in America!Knobs on the doors in America!Wall-to-wall floors in America!
When we look at the arts and letters in America, especially if we look at poetry, and poetry set to music, this dialogue, we have this very powerful beautiful, eclectic, diary, or narration of being in America, being American, participating in America, becoming more of America and also as an American, the American creative spirit, which is quite interesting. Our composers and poets have spent more time writing and thinking and speaking out of what it means to be a composer or poet as well as to be an American, or a composer or poet In America; both relationships.
I have Native American blood. I have African blood. I have European blood.
I didn't know much about my Native American ancestry, but as I got older I became more interested in it.
I've always said that the big difference between South America and North America with regard to the native population is that in North America they raped them and killed them, and in South America they raped them and married them. The mix was much greater, and that was very good.
The Afrocentric exploration of the black past only scratches the surface. A full examination of the ancestry of those who are referred to in the newspapers as blacks and African Americans must include Europe and Native America.
America has many cultures which makes it great, but it's difficult to create one strong identity.
Entering into writing a poem is an emotional endeavor for me as well as a spiritual and creative one. Having to write those poems for the inauguration, I started asking deeper questions about my cultural identity, and my connection to America.
America gave the world the notion of the melting pot - an alchemical cooking device wherein diverse ethnic and religious groups voluntarily mix together, producing a new, American identity. And while critics may argue that the melting pot is a national myth, it has tenaciously informed the America's collective imagination.
I would not describe myself as a political writer except in the sense that the personal is political, which is something that I do strongly believe. And in that sense American Gods is a very personal novel and a political novel. I was trying to describe the experience of coming to America as an immigrant, the experience of watching the way that America tends to eat other cultures.
The religious cant that will send American troops into battle is perhaps the most sickening aspect of this surreal war-to-be. Bush has an arm-lock on God. And God has very particular political opinions. God appointed America to save the world in any way that suits America. God appointed Israel to be the nexus of America's Middle Eastern policy, and anyone who wants to mess with that idea is a) anti-Semitic, b) anti-American, c) with the enemy, and d) a terrorist.
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