A Quote by Anne Waldman

I think of my father born in this very small, limited situation and then coming out of that. Many people have this story. — © Anne Waldman
I think of my father born in this very small, limited situation and then coming out of that. Many people have this story.
My father's from Australia and my mother was born in India, but she's actually Tibetan. I was born in Katmandu, lived there until I was eight, and then moved to Australia with my mother and father. So yeah, I'm very mixed up, been to many different schools.
I'm just open to doing all different kinds of movies. I have a movie called Scout coming out and it's a coming of age story. [] I have a very small role in it, but it was really fun to make and really light, but I do want darker roles.
I've often had the fortune to work on projects with a small theme I find very interesting enough to pursue and to be passionate about in the context of the story, then it may turn out there's a universality about my character which still resonates with many people as well.
Television is just amazing - how many people see it and how many people recognize you, and I think once you've had the opportunity and have been in front of the public, it's very flattering to have people come up and say hello to you. It's a tremendous industry. I've been in places where people come out of the woodwork. And you would never think - small towns in France or traveling through Europe - and there are so many of those people there that recognize you, and you've been in their homes. I find it to be a very flattering thing.
I think that if you're serving yourself before you're serving a story then that's where you end up being not funny. It's not about being funny, it's about telling a story and then the comedy comes out of the situation, I think.
Nowadays, if somebody in America is feeling alone and wants to find a coming out story, they just search 'coming out,' and they'll find millions of first-person examples of people telling their story.
Photography has become a small world with so many jealous people. You do a story and then a lot of people try to do the same thing.
I'm a very, very modest person and with limited abilities. I do have the wish to succeed in anything I undertake, and that does help out, but, in general, there are so many other people who are skilled in their field that I feel very ordinary.
I mostly write about the working poor. Somehow, they're not being written about much anymore. I'm very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.
I don't do all the background and the worldbuilding before I start the story. What I do is I work out the bare minimum I need to start the story, and often that really is a bare minimum - it's a character in a situation, and I know nothing about the character, I know nothing about the situation, and then I think about it for a long time, and make notes about where I think the story is going to go and so on, but I don't really make notes to do with the background or the magic system or the world.
Unlike many spiritual leaders, Dalai Lama is never been in a position to just sit on a mountain top handing out wisdom. He's had to live out his principles in the middle of this very complex situation, every day for sixty years or more. I think it's something that moves many people about his example.
There were many generations of Latino people coming to this country, coming from difficult political or social situations in their own countries, and they worked very hard to have their kids go to universities. Well, those kids came out and they are now doctors and architects, or they are on the Supreme Court. That has a reflection in Hollywood. So, we are actually very proud that our characters are Latinos, and I think it's good for diversity and cultural interaction.
It's very important that people understand that for refugees to come into the USA is very difficult. What upsets me about the whole situation is that people don't know the difference between a migrant and a refugee; they don't have respect for what people are coming from - the people who against it - and they have completely forgotten this is what built our country, the diversity. When it is put forward that masses of people are dangerous, and the actual numbers and the situation are proven to be completely the opposite of the way they're presented publicly, it's horrible.
There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.
'East of Eden' is an important story for me. It's about a kid that's misunderstood and feels like he's not loved by his father. It's a very father-son kind of story, and it's not until the end that they sort of make up. I like that because every boy has trouble with his father, so it's very relatable.
Do you think the people who were trying to reach to the Everest were not full of doubts? For a hundred years, how many people tried and how many people lost their lives? Do you know how many people never came back? But, still, people come from all over the world, risking, knowing they may never return. For them it is worth it - because in the very risk something is born inside of them: the center. It is born only in the risk. That's the beauty of risk, the gift of risk.
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