A Quote by Anne Waldman

My father was a frustrated writer. I think he wanted to write the great American novel. — © Anne Waldman
My father was a frustrated writer. I think he wanted to write the great American novel.
It used to be that the highest ambition of American novelists was to write 'the Great American Novel,' that great white whale of American fiction that would encompass all the American experience in one great book.
There's the fact that American fiction is basically the most apolitical fiction on the globe. A South American writer wouldn't dare think of writing a novel if it didn't allude to the system into which these people are orchestrated - or an Eastern European writer, or a Russian writer, or a Chinese writer. Only American writers are able to imagine that the government and the corporations - all of it - seem to have no effect whatsoever.
I wasn't a frustrated writer who really wanted to act or a frustrated writer who really wanted to direct. I was really happy writing screenplays, and there's a lot of people who just do that - they're screenwriters.
I had the notion that I wanted to write the great dirty American novel, so I went to Roanoke College on the GI Bill.
When I first began to write fiction, I didn't think I was a comic writer; I thought I was a serious writer. I was surprised when the first novel I wrote was regarded as a funny novel.
Dreiser wanted to write the next great American novel, and his desperation pervades [ Sister Carrie ] like an unsavory pit stain.
I think the "crime novel" has replaced the sociological novel of the 1930s. I think the progenitor of that tradition is James M. Cain, who in my view is the most neglected writer in American literature.
Since I cant write the greatest American novel, Im going to write the longest American novel.
At one point I would read nothing that was not by the great American Jews - Saul Bellow, Philip Roth - which had a disastrous effect of making me think I needed to write the next great Jewish American novel. As a ginger-haired child in the West of Ireland, that didn't work out very well, as you can imagine.
I'm a big Philip Roth fan. I think "American Pastoral" is the great American novel of the past 30 to 40 years. It's a novel about what happened in the 1960s, and I think America is still dealing with what happened then. It's devastatingly sad.
Since I can't write the greatest American novel, I'm going to write the longest American novel.
A lot of people, I think, harbor some kind of ambition to write a novel - they say, 'One day I'm going to write a novel,' and they maybe find the first three pages quite easy, and then they hit a kind of brick wall, and they think that that brick wall means that they're not a writer.
I wanted to write a novel. At 12 I knew, I am a writer. I said it to nobody.
Objectifying your own novel while writing it never really helps. Instead, I guess while you're writing you need to think: This is the novel I want to write. And when you're done you need to think: This is what the novel I wanted to write feels like and reads like and looks like. Other people might call it sweeping or small, but it's the book you chose.
I'm not looking to write the great American novel, win a Pulitzer or teach history. I write to entertain my readers.
I think people assume that women write about the domestic sphere. Women write about relationships and family. Men do, too, but then it's the Great American Novel.
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