A Quote by Anne Waldman

When I look at my life there are these streams, these things that have continuity from the fifties to now. — © Anne Waldman
When I look at my life there are these streams, these things that have continuity from the fifties to now.
Back in the fifties (the nineteen fifties, not the eighteen fifties) I did some writing for Mad Magazine, along with my friend Ernie Kovaks and a pair of comics named Bob and Ray.
When I look at my streams on Spotify, and I just see it's hundreds of millions of streams, I think, 'Wow, that's amazing.' But you don't really get it. Once you see people in front of you singing along to your songs, it's real.
A lot of times continuity is your best hope for taking that next step. Can you have a balance of continuity and some additions and bolster it and walk that fine line of adding and embracing continuity?
Nothing could be further from the authentic art of our time than the idea of a rupture of continuity. Art is - among other things - continuity, and unthinkable without it.
I feel sometimes and in some ways like Linda Romanoli and Monica Velour; I feel marginalized because I'm in my fifties. If you went online and you look at some of the blogs, which one can do on a lonely night, it's pretty startling what people will say about you just because you're in your fifties.
In order that a "self" may exist there must be some continuity of mental experiences and, particularly, continuity bridging gaps of unconsciousness. For example, the continuity of our "self" is resumed after sleep, anaesthesia, and the temporary amnesias of concussion and convulsions.
You've had a lot of presidents that haven't take that tack [get along with Russia]. Look where we are now. Look where we are now. So, if I can - now, I love to negotiate things.
In the same way your life is the continuity of standing up, sitting down, laughing, sleeping, waking up, drinking, eating, and, of course, being born and dying. That is the continuity of the whole universe.
We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of time and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible in life, as in love, is in growth, in fluidity - in freedom.
These are the fifties, you know. The disgusting, posturing fifties.
The only reason I look back is to check if I've been doing something wrong. I look at things from even three years ago and think, 'I wouldn't do that now.' Your life changes.
I'm asked so often whether I believe in life after death. I do believe in the sanctity of life, the continuity of life and of energy. I know the anonymity of death has no appeal for me. It is the now that I must face and want to face.
Well I travelled quite a lot in the east, and one of the things that impressed me greatly was the buddhist notion of the continuity of things, the wheel of life which is what we're talking about, the ever turning wheel.
The things we truly love, the things forming the basis and roots of our being, are generally things we never look at. A huge piece of carpeting, empty and naked plains, silent and uninterrupted stretches with nothing to alter the homogeneity of their continuity. I love wide, homogenous worlds, unstaked, unlimited like the sea, like high snows, deserts, and steppes.
All the proliferating falsifications of what I and everyone I know experienced once in what it is now so convenient to call the "fifties" or "sixties," as if life was really measured or lived in arbitrary decades, when the history books are sold like comix.
We insist on permanency, on continuity, when the only continuity possible is in growth, in freedom, in the sense that the dancers are free, barely touching as they pass but partners in the same pattern. The only real security in a relationship lies neither in looking back in nostalgia, nor forward with dread or anticipation, but living in the present and accepting the relationship as it is now.
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