A Quote by Anne Waldman
As a younger person you can come in through many, many gateways. It's like some huge Mandela. You can enter into this and get refreshed.
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Sometimes when you get sick and you go to the doctor, it can feel like you didn't get your money's worth if you don't come away with a pill. I've had many, many conversations with patients who I've cared for over the years about why it's actually in some cases better not to go home with antibiotics.
The famous passage from her book is often erroneously attributed to the inaugural address of Nelson Mandela. About the misattribution Williamson said, "Several years ago, this paragraph from A Return to Love began popping up everywhere, attributed to Nelson Mandela's 1994 inaugural address. As honored as I would be had President Mandela quoted my words, indeed he did not. I have no idea where that story came from, but I am gratified that the paragraph has come to mean so much to so many people.
In terms of - my relationship with so many, many young people. I would - I would guess that there are many young people who would come forward. Many more young people who would come forward and say that my methods and - and what I had done for them made a very positive impact on their life. And I didn't go around seeking out every young person for sexual needs that I've helped. There are many that I didn't have - I hardly had any contact with who I have helped in many, many ways.
Since ... 'the kingdom of heaven suffers violence and the violent take it by force' (Mt. 11:12), and it is impossible for the faithful to enter it by any other way, unless they come through the narrow gate of trials and tribulations, the divine oracle rightly commands us, saying: 'Strive to enter by the narrow door' (Lk. 13:24). Again He says, 'By your endurance you will gain your souls' (Lk. 21:19), and, 'Through many tribulations we must enter the kingdom of heaven' (Acts 14:22).
What I learned about acting, from my experiences directing, is why so many producers and directors don't like actors. You go through all of this work securing a location, figuring out how to get electricity there, how to get trucks parked where they need to be, and where catering is going to come from. And if the actors don't come up with some magic, it actually didn't matter. That creates a lot of animosity towards the actors.
Some of the stuff, I absolutely don't remember recording it, it's been so long. But I do like to try to throw in something a little different for the audience once in a while. Because a lot of these people who come to see have come back many, many times.
Our contemporary society is experimenting with the diminishment of caregivers for children. Some children are raised through crucial stages of life by only one person. This one person, who strives to give the best, may be overwhelmed, busy, trying to raise many children. And even in homes with two parents, many children are essentially alone.
When we were younger, playing a bar or a club, we did what we did to get as many people to like what we were doing. I wanted the person in the back of the room to like it as much as the ones in the front. That's how I've always looked at it.
When you are a young person, you are like a young creek, and you meet many rocks, many obstacles and difficulties on your way. You hurry to get past these obstacles and get to the ocean. But as the creek moves down through the fields, it becomes larges and calmer and it can enjoy the reflection of the sky. It's wonderful. You will arrive at the sea anyway so enjoy the journey. Enjoy the sunshine, the sunset, the moon, the birds, the trees, and the many beauties along the way. Taste every moment of your daily life.
I've achieved many of my dreams, and I want to see that some others get a chance to, especially younger Texans.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
There are just so many different types of people that come into my studio, and secondarily, there's the idea of ideation, like, "Who are you and what do you see in yourself in this other person?" So many different people that you would see so many different things.
You all must realize that Mandela was not the only man who suffered. There were many others - hundreds who languished in prison and died. Many unsung and unknown heroes of the struggle.
So many rich people, when they get into philanthropy, they have one thing they like, or several things they focus on. They pick a disease or a college or some kind of non-profit. They produce good results through that cause, but also they get recognized; there's some sort of monument to what they did.
I can remember as a college student writing stories and novels, some of which ended up getting published and some that didn't. It was like my head was going to burst - there were so many things I wanted to write all at once. I had so many ideas, jammed up. It was like they just needed permission to come out.
Life holds many, many, many mysteries, abstract things we all think about. In a film when things get abstract, some people don't appreciate that and they want to leave the theater. Others love to dream, get lost, try to figure things out. I'm one of those people. I like a film, a story that holds concrete things but also abstractions. So when ideas come along that have those things, I'm falling in love and going to work.
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