A Quote by Anne Waldman

For me the road became a zone, in places like Saint Marks poetry Project where I worked for 12 years. — © Anne Waldman
For me the road became a zone, in places like Saint Marks poetry Project where I worked for 12 years.
I haven't changed my views much since I was about 12, really, I've just got a 12-year-old mentality.When I was in school I had a brother who was into Kerouac and he gave me On The Road to read when I was 12 years old. That's still been a big influence.
Actors, producers and directors have a responsibility. My personal pledge, since I became a mother 12 years ago, is that I won't be in any project my daughter can't watch. I'm trying to prepare her for the world.
I didn't get a formal introduction to horror until right about the age of 12, when my uncle showed me 'Twilight Zone: The Movie.' When you're 12 years old, and you see that - oh, God. I devoured as many horror movies and novels as possible.
A saint is Christ's bride, totally attached, faithful, dependent. A saint is also totally independent, detached from idols and from other husbands... A saint is higher than anyone else in the world. A saint is the real mountain climber. A saint is also lower than anyone else in the world. As with water, he flows to the lowest places - like Calcutta.
I'm an actress, primarily. I love to write poetry. I've been writing poetry since I was 12 years old.
My career has been a level of serendipity all along. I've never planned anything out more than a few years. All the places we lived - the 12, 13 countries - and the companies I worked for were a combination of circumstances.
I write poetry anyway and have for years and years. For me, putting fiction and poetry together is like the best of both worlds.
I've been on Prozac for 12 years and I'm off it now. I know what it feels like to be excited and sad again. I haven't felt like this in 12 years; I'm like a giddy little kid.
[ Lady Susan novel by Jane Austen is] extremely difficult to adapt. I worked on it for years, for, like, ten years, before I started showing it to people. This was my back-burner project.
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.
For me, being in a car or on an airplane is like being in limbo. It's this dead zone between two places. But to walk, you're some place that's already interesting. You're not just between places. Things are happening.
I have my Poetry 180 project, which I've made my main project. We encourage high schools, because that's really where, for most people, poetry dies off and gets buried under other adolescent pursuits.
Like many black men growing up in London, I have been stopped and searched by several policemen. I was 12 years old when I was first groped and frisked by police for walking down the road. It terrified me so much I wet myself.
If you go into a bar in most places in America and even say the word poetry, you'll probably get beaten up. But poetry is a really strong, beautiful form to me, and a lot of innovation in language comes from poetry.
You know, our country's being ripped apart. And let me tell you, this is largely an economic issue, too. You know that workers, hard-working people, middle class people, haven't had a salary increase effectively in 12 years, all right? So for 12 years, they're making less now in many cases than they made 12 years ago.
I worked in fashion, but I worked more in the sales side of fashion than in design. I was an assistant buyer for a department store back in the '70s and the early years of Saint Laurent. And I used to have a lot of private clients that I bought for.
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