A Quote by Annette Bening
I've played parts that were just likable people, and there's a certain pleasure in that. And that's that.
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When you start to prioritize hiring likable people within your organization, these likable people will attract other likable people.
There's this thing in Hollywood about the sympathetic character and likability. I've never understood that because the people I love most in my life are not likable all the time. My wife is not always likable. I'm certainly not always likable. My dad is not always likable. We're human beings.
May I say, if you were suddenly put into a woman's body, wouldn't you be slightly interested in your breasts, and why people look at certain parts of you, and why certain parts move like they do?
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
It's not that you aren't likable. On the contrary. You are. It's just that one wonders if you haven't made a career out of being so likable.
There's a certain pleasure of the life of the mind that cannot be denied. There's a certain pleasure about being around people who enact a playfulness when it comes to the world of ideas.
Our early days - our audiences were always very sparse. We played very obscure places in very obscure parts of the world, mainly Kansas. We played frat parties, we played high school proms, we played clubs.
I've always liked TV shows that have slightly unlikable leads, where you root for them in spite of a lot of things. I know it's not common with shows with young people; they have to be so likable. But, I mean, teenagers just generally aren't very likable. I know I wasn't as a teenager.
I'm a big believer in the notion that our greatest potential lies in our darkest parts. To a certain extent it's only in facing those parts of ourselves that we can truly grow, and I think that's true of all of the characters I've played, certainly in the past few years.
I began to understand that there were certain talkers - certain girls - whom people liked to listen to, not because of what they, the girls, had to say, but because of the delight they took in saying it. A delight in themselves, a shine on their faces, a conviction that whatever they were telling about was remarkable and that they themselves could not help but give pleasure. There might be other people - people like me - who didn't concede this, but that was their loss. And people like me would never be the audience these girls were after, anyway.
Well, I think “likability” is an overused word. I don’t watch people 'cause I like them; I watch them because they’re compelling. Sympathetic is a little different... Likable just thins you out. Working to make a character likable is what kills most TV shows.
My parents' parents were regular working-class people. I ended up speaking in a certain way, and one gets sidelined into doing certain parts. I think that is really quite narrow-minded.
I've never been typed. John Wayne played 'that guy' all the time - mostly because that's all he could do. Gable played Gable parts, and Bob Taylor played Bob Taylor parts, whether he was in armor or a full-dress suit. I resisted that.
As a young actor, I played a lot of 'exotic' parts and was stuck with the tag 'sultry.' I had to refuse such parts if I were ever to play anything else. It did the trick, but my agent feared it made me harder to cast.
Marvin Gaye was a killer drummer. I think he just played during the soundchecks and he'd have another guy sing his parts while he played the drums. He just wanted to play the drums and have some fun.
People are very adamant about maintaining a certain sound or a certain era, like, "There were three years of rap that were great, so let's just keep doing that." The genre itself is just stuck in place. It's been treading water for a while.
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