A Quote by Annette Bening

We want to be seen for who we really are, and each person has his own complex story and reasons for doing what they do. — © Annette Bening
We want to be seen for who we really are, and each person has his own complex story and reasons for doing what they do.
The story of Jackie Robinson is also the story of Branch Rickey. He had many reasons for doing what he did, but he stood up against his own people.
Only people who have been discriminated against can really know how much it hurts. Each person feels the pain in his own way, each has his own scars. So I think I'm as concerned about fairness and justice as anybody. But what disgusts me even more are people who have no imagination. The kind T. S. Elliot calls 'hollow men'. People who fill up that lack of imagination with heartless bits of straw, not even aware of what they're doing. Callous people who throw a lot of empty words at you, trying to force you to do what you don't want to.
Living the life I have lived - being raised by deaf parents, assimilating to a different culture, and the challenges I have faced over time - has given me insight to the fact that each person has their own complex, intricate story, and it's rarely what I suspect it is. We must have compassion and grace for each other. We must.
Women are really complex and totally enigmatic. Humans are really complex, but in film, we've only ever seen that with men. We've seen antiheroes time and again with male characters.
The true story of every person in this world is not the story you see, the external story. The true story of each person is the journey of his or her heart.
Philip Galanes makes his debut with a novel that is both heartbreaking and deftly comic, the story of a young man struggling with his most primitive desires--wanting and needing. It is a novel about the complex relationships between parents and children, a story of loss and of our unrelenting need for acknowledgment, to be seen as who we are. And in the end it is simply a love story for our time.
(Five) thinkers since Galileo, each informing his successor of what discoveries his own lifetime had seen achieved, might have passed the torch of science into our hands as we sit here in this room. Indeed, for the matter of that, an audience much smaller than the present one, an audience of some 5 or 6 score people, if each person in it could speak for his own generation, would carry us away to the black unknown of the human species, to days without a document or monument to tell their tale.
while it is certainly the biographer's business to describe the foibles, passions and idiosyncrasies which make his subject a person, his work will be very meagre if these individual traits are not also seen as part of a universal drama - for each man's life is also the story of Everyman.
We want to take our time with 'Descender' and let the story unfold at its own pace. But we have carefully planned each world and worked to give each its own look and feel. And each of the 9 core worlds will play a role in the series.
I've never seen anyone say, 'Let's go get this person today; let's really ram it into him.' I've never seen it. If a Democrat or Republican commits some horrendous story, the story will run. The networks will cover it.
Each person feels pain in his own way, each has his own scars.
It used to be that you would go into a writing program and what you would learn was how to write a short story. You would pick up the magazines and you would be taught from the magazines how to write a short story. Nowadays student writers are learning to write novels because that market is gone, so the ones who are drawn to the form are doing it really for reasons of their own and that's really exciting.
It was a shut door, and shut doors meant things kept to yourself. There were reasons you kept things to yourself, and they usually weren’t good, happy, open-air sort of reasons. Still, I didn’t want to see behind that door. You think you want to know everything there is to know about everything there is to know. But you don’t. Not really. I had pried the lid off of the dark places of another person before, I had seen inside. Down deep. You don’t want to look at what’s rotting there.
Old stories have a habit of being told and retold and changed. Each subsequent storyteller puts his or her mark upon it. Whatever truth the story once had is buried in bias and embellishment. The reasons do not matter as much as the story itself.
No doubt, the White House thinks the American people know Obama's story. But since the Inauguration, we've seen only the president's present: his perfect family, his Ivy League elegance, his effortless mastery of complex issues. We never see him sweat. And we forget that he ever had to struggle.
For each of us, the only hope resides in his own efforts, in completing his own story, not in the other's interpretation. (63)
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