A Quote by Annette Funicello

Then, as now, the Disney studio buzzed with activity. You had a strong impression of being at the center of something very exciting. — © Annette Funicello
Then, as now, the Disney studio buzzed with activity. You had a strong impression of being at the center of something very exciting.
One of my earliest memories is being inside the recording studio and I see the shadow of a figure that looks an awful lot like Walt Disney. Then the door opened and Mr. Disney walked in and said, 'Hi Clint.' I won't ever forget that.
I'm really excited that the studio is trying, because when I began my career in the early '90s, late '80s, Disney was not something - though I respected it and liked what they were doing in those years - it's not like I thought I wanted to be a part of that studio right now.
Now that had worked very successfully at Pixar, and he ended up adding one at Walt Disney Animation and one at DTS. So, I'm part of that Brain Trust where I sit in on all things creative for the whole studio, but especially in the Planes area.
I come from a family that was very strong, very successful, very bizarre, and terrifically exciting. Being a Korda is something I regard as special - not wonderful, or worthy of a national monument, but special.
I used to watch, on television on Sunday nights, they had the Disney hour then and the castle coming up and 'When you wish upon a star... ' That was my very first Disney memory.
Now very much against her will, she thought of the way Jace had looked at her then, the blaze of faith in his eyes, his belief in her. He had always thought she was strong. He had showed it in everything he did, in every look and every touch. Simon had faith in her too, yet when he'd held her, it had been as if she were something fragile, something made of delicate glass. But Jace had held her with all the strength he had, never wondering if she could take it--he'd known she was as strong has he was.
What is it that an artist does when he is left alone in his studio? My conclusion was that if I was an artist and I was in the studio, then everything I was doing in the studio should be art . . . . From that point on, art became more of an activity and less of a product.
The thing that impressed me then as now about New York… was the sharp, and at the same time immense, contrast it showed between the dull and the shrewd, the strong and the weak, the rich and the poor, the wise and the ignorant… the strong, or those who ultimately dominated, were so very strong, and the weak so very, very weak - and so very, very many.
Every now and then I'm in a situation where someone doesn't recognize me, and I experience racism. Things like not being buzzed into a store or sitting in first class on a plane and having someone ask to see my ticket four times.
To do a studio film, something with Disney. My father is thrilled.
The producer is at the center of entertainment. The producer is being forgotten, and producers must seize the center of activity.
The experience of being on a show that is very much in the center of popular culture is exciting. You really feel like you're reaching people.
Disney was a family film studio. I was supposed to be their young, leading man. After they found out I was involved with someone, that was the end of Disney.
I actually had a buzz cut all the way to my junior year in college. I would just buzz my head with a one-guard all over, and then I started growing it out. When I had Tommy John, that was the last time it was buzzed. I've grown it ever since then.
Disney was a family film studio and I was supposed to be their young, leading man. After they found out I was involved with some guy, that was the end of Disney.
The Walt Disney Animation studio is the studio that Walt Disney started himself in 1923, and it's never stopped and never closed its doors and never stopped making animation, and it keeps going as kind of the heart and soul of the company.
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