A Quote by Annia Ciezadlo
There hasn't been a lot written about it in the Western media. But in the Arab world, and Western Asia as a whole, Baghdad was always known as a famously bookish, intellectual city. There's an old saying that Cairo writes, Beirut publishes, and Baghdad reads.
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There were a hundred booksellers in the old round city founded by the eighth-century caliph al-Mansur. The café and wine-drinking culture of Baghdad has been famous for centuries; there was a whole school of Iraqi poets who wrote poems about the wine bars of medieval Baghdad - the khamriyaat, or wine songs, that I quote in the book.
For Beirut it was the civil war, and the dividing of the city - which is something that is shared among Beirut, Berlin and Baghdad. And Cairo is a city that has a scar that was born after many decades of dictatorship - oppression shaped the people's lives, and forced people to grow up accompanied by fear. I belong to a generation that, whether we like it or not, was shaped by this fear of death or loosing the people you love, the threat of war, not allowed to be yourself, forced to be silent - as you watch ignorance occupying everything around you. And this is a deep scar.
I miss aspects of being in the Arab world - the language - and there is a tranquility in these cities with great rivers. Whether it's Cairo or Baghdad, you sit there and you think, 'This river has flown here for thousands of years.' There are magical moments in these places.
I firmly believed we should not march into Baghdad ...To occupy Iraq would instantly shatter our coalition, turning the whole Arab
world against us and make a broken tyrant, into a latter-day Arab hero.
Well, I've been to Iraq twice now. I was in Baghdad in June and then north of Baghdad in November.
When you get to the point where Baghdad is basically isolated, then what is the situation you have in the country? .. You have a country that Baghdad no longer controls; that whatever's happening inside Baghdad is almost irrelevant compared to what's going on in the rest of the country.
Take a moment to reflect upon the existence of the musical The Book of Mormon. Now imagine the security precautions that would be required to stage a similar production about Islam. The project is unimaginable—not only in Beirut, Baghdad, or Jerusalem, but in New York City.
For seven years I wrote and published my texts on the Internet and no Arab festival invited me and no Arab publishing house wanted to publish my books, and I wasn't known in the Western world because of my political positions.
The infidels are committing suicide by the hundreds on the gates of Baghdad... Be assured, Baghdad is safe, protected. Iraqis are heroes.
In contrast, the 'Old Europe' channels were showing film from reporters who had embedded themselves at the wrong end of the Baghdad blitz and the Basra bombardment. These films depicted the shattered homes, the killed and grieving civilians and the infrastructure chaos our armed forces are creating daily. Since this footage (none of it bearing the al-Jazeera logo) clearly exists, why does the Western media studiously ignore it or, when confronted by it, claim it to be Iraqi propaganda.
The senior officer who met with reporters in Baghdad said there had been 21 car bombings in the capital in May, and 126 in the past 80 days. All last year, he said, there were only about 25 car bombings in Baghdad.
Vladimir Putin understood, from the Communist era when he was a KGB officer, that the Russian propaganda system of targeting Western media - that in the digital world, you could easily pull the Western media around by a nose ring.
In many parts of the world, including the Arab world, the Latin American world, and even parts of the Western world, there is a tradition of writers being quite engaged. Particularly in the Arab world you have had very, very strong traditions of literature and poetry and most of the writers have been deeply committed to the cause of the Arab nation.
The U.S. is telling the Northern Alliance to kill Taliban prisoners. It's totally a breach of all the known conventions of war. Western television networks aren't showing this, but Arab networks are showing how prisoners are being killed and what's being done to them. Instead, we're shown scenes that are deliberately created for the Western media: a few women without the veil, a woman reading the news on Kabul television, and 150 people cheering.
My dad was working abroad, in Iraq, and he was a doctor. We used to go and visit him, in Baghdad, off and on. For the first ten years of my life, we used to go backwards and forwards to Baghdad, so that was quite amazing. I spent a lot of time traveling around the Middle East.
I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, the Western film is American and American only; there's really no Western genre over in Asia.
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