A Quote by Annie Baker

Yeah, I have the detail-obsessed, controlling personality of a novelist, but I somehow ended up writing plays. — © Annie Baker
Yeah, I have the detail-obsessed, controlling personality of a novelist, but I somehow ended up writing plays.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
Many novelists say, "I'm not a political novelist" - myself included. That's a standard, even a default position. Whereas that divide between art and politics simply isn't possible in many countries. In Hungary, you couldn't be a fiction writer and then, when asked about politics, put your hands up in the air and say "But I'm not a political novelist." If you're a Chinese novelist, a novelist in a country where censorship is such an issue, how do you claim that politics has nothing to do with your writing? It's in your writing, it's shaping your words.
I didn't know anything about writing a screenplay, but somehow I ended up rewriting a screenplay.
I was always interested in acting and writing, and I honestly thought I'd make my name as a scriptwriter one day. But somehow, I ended up in London in the early '70s, and that's where I had my David Bowie adventure.
I also write plays, so I understand the writers mind, and how obsessed you can get writing.
What I ended up doing was kind of crafting an idea for a story, presenting it to a writer - a dear friend of mine, Brad Mirman - and he ended up writing a beautiful script. I should've done that a lot earlier.
I started writing sketches with Dennis Kelly, who I ended up writing 'Pulling' with. We entered a BBC competition and did quite well, then started writing bits for other people's shows. You wheedle your way in, write pilots and eventually you end up writing a sitcom.
I'm a constant idiot in conversation - I always seem to sound either smug or stupid. Writing plays was a way of winning the conversation by controlling the conversation.
When I was in high school, I was writing a lot. I dealt with my high school angst by writing short plays and short films. I was obsessed with reading 'Entertainment Weekly' and 'Premiere' and 'Movieline' and all those magazines.
Basically, it's somebody who got stuck having to interview me who really wants to be a novelist, so they're writing these novellas and I was like, "It's not true, that didn't happen, they just made all that up! Why don't they just go ahead and be a novelist instead of bothering with interviewing me?"
When 8chan came back online, it was extremely unstable. I was trying to post on it to see if it worked. And it was not working at all for me, but somehow, Q' was posting. And that was kind of the moment for me that sealed the deal If they had not already been controlling it before, they were controlling it now.
Imagination plays too important a role in the writing of history, and what is imagination but the projection of the author's personality.
I got into plays in high school then I ended up going to college for it.
Douglas Adams did not enjoy writing, and he enjoyed it less as time went on. He was a bestselling, acclaimed, and much-loved novelist who had not set out to be a novelist, and who took little joy in the process of crafting novels. He loved talking to audiences. He liked writing screenplays. He liked being at the cutting edge of technology and inventing
I worked on 'Blue Peter' and 'Tonight' and lots of TV plays, filmed people like Rudolf Nureyev and Ted Heath, and ended up a senior cameraman with my own crew. I'd had my first short story published in 1947, and when my writing really started to take off I decided to go freelance, and eventually left the BBC in 1965.
I wrote a script with my brother which ended up, somehow, on the Black List in 2008.
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