A Quote by Annie Barrows

If I could have anything I wanted, I would choose story without end, and it seems I have lots of company in that. — © Annie Barrows
If I could have anything I wanted, I would choose story without end, and it seems I have lots of company in that.
If you knew that miracles could happen, what miracles would you wish for? If you knew that you could have it all and do anything you wanted, what would you choose to have and what would you choose to do?
I usually have a general idea of where the story is going, but I try to avoid planning in too much detail. The best endings are those that emerge only after I've thought long and hard about the various ways the story might end. Then I choose the ending that seems surprising yet somehow inevitable.
I think that you could design a terrible logo for a good company with great people and they could build it into a great program. Alternatively you could design what seems to be a brilliant logo for people who are not smart or energetic or are incapable of associating with anything positive and it would become a terrible logo.
I think to be a rich and successful person in Roman society would be pretty fabulous. They had all of the comforts we want now - central heating, baths, medicine. If I could choose not to indulge in all the things they did I don't agree with, then I could be perfectly comfortable without a mobile phone, computer or anything.
She smiled, if he could see that, and waited for him to ask the real question. But he was silent. He wanted her to volunteer the story, she realized, and she could just as easily choose to say nothing. But he deserved to know. They all deserved it, and Kirra already knew it, and Cammon may have guessed it, because Cammon could read souls, but Tayse was the only one she would tell.
I feel that the best companies are started not because the founder wanted a company but because the founder wanted to change the world... If you decide you want to found a company, you maybe start to develop your first idea. And hire lots of workers.
I think the last one would have to be The Godfather because it was such a powerful story. There was lots of violence in it but I could take it because I thought there was a reality to it. It wasn't gratuitous, it was just these guys' story.
I think the last one would have to be The Godfather because it was such a powerful story. There was lots of violence in it but I could take it because I thought there was a reality to it. It wasn't gratuitous, it was just these guys story.
I wanted to be a visual artist, but I realized I was more affected by what I read than by what I saw. I would go to a show at a museum and look at a painting and say, 'Oh I wish I owned that,' and that would be the end of my relationship with a painting. With a short story I would read or with an author I would discover I could be haunted. It would affect my mood and affect the way that I saw the world. I thought, wow, it would be amazing to be able to do that.
If you have never wept bitter tears because a wonderful story has come to an end and you must take your leave of the characters with whom you have shared so many adventures, whom you have loved and admired, for whom you have hoped and feared, and without whose company life seems empty and meaningless. If such things have not been part of your own experience, you probably won't understand what Bastian did next.
If I wanted to work financially, I would have made a series of different choices. I do get offered lots of movies which you could make a lot of money out of. And I always say, 'Why would I do that, when someone else could do it much better than me? Why would I want to do an action picture? Why?'
If I wanted to work financially, I would have made a series of different choices. I do get offered lots of movies which you could make a lot of money out of. And I always say, 'Why would I do that, when someone else could do it much better than me? Why would I want to do an action picture? Why?
I knew I wanted to be an actor, and I didn't necessarily need or want to be famous or a celebrity actor. But I wanted to be somewhere where there would be no ceiling on what I could accomplish, and I felt like if I stayed in St. Louis I might have a really great regional theater career or something, but that I wasn't going to be able to get much further than that. And it felt like New York and L.A. were the two places where you could end up being a TV star or you could end up doing regional theater, which would have been fine as well.
I tried to build a company my father would have been proud to work for, that he would have looked back on and said, 'That's the company that honoured me, even though I don't have an education'. I wanted to build a company that had a conscience.
Ideas are like stars; you will not succeed in touching them with your hands. But like the seafaring man in the desert of waters, you choose them as your guides, and following them you will reach you destiny. Perhaps you could get a clearer idea of our destiny if we took time out to examine our ideas, and upgraded them if necessary. What things are most important to you? If you could do anything you wanted to be, what would you be? If you could achieve a single objective in life, what would it be?
Sure, I went through my 'J'accuse' phase. I was so angry for so long, I could hardly have a conversation without getting into an argument. And it was only when I felt I could finally distance myself from my past that I began to write about what happened - not just to me, but to lots of young people. I think my story is a cautionary tale.
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