A Quote by Annie Dillard

Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles. — © Annie Dillard
Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles.
The very impossibility which I find to prove that God is not, discovers to me his existence.
The very impossibility in which I find myself to prove that God is not, discovers to me his existence.
As all error is meanness, it is incumbent on every man who consults his own dignity, to retract it as soon as he discovers it.
When a writer declares that his first book is his best, that is bad. I progress successively from book to book.
Every writing career starts as a personal quest for sainthood, for self-betterment. Sooner or later, and as a rule quite soon, a man discovers that his pen accomplishes a lot more than his soul.
By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.
As every writer has his use, every writer ought to have his patrons; and since no man, however high he may now stand, can be certain that he shall not be soon thrown down from his elevation by criticism or caprice, the common interest of learning requires that her sons should cease from intestine hostilities, and, instead of sacrificing each other to malice and contempt, endeavour to avert persecution from the meanest of their fraternity.
A writer soon discovers he has no single identity but lives the lives of all the people he creates and his weathers are independent of the actual day around him. I live with the people I create and it has always made my essential loneliness less keen.
I think every writer has a book that haunts them, and on some level, every book you write is a reaction to it. 'Lolita' is that book for me. Nabokov's love of wordplay, descriptive detail, artfully complex plots, and his themes of obsession and lost love, are inspiring.
What if there was a library which held every book? Not every book on sale, or every important book, or even every book in English, but simply every book - a key part of our planet's cultural legacy.
In the first few seconds an aching sadness wrenched his heart, but it soon gave way to a feeling of sweet disquiet, the excitement of gypsy wanderlust
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
Of publishing a book on religion, my dear sir, I never had an idea. I should as soon think of writing for the reformation of Bedlam, as of the world of religious sects. Of these there must be, at least, ten thousand, every individual of every one of which believes all wrong but his own.
A close inspection discovers an empirical impossibility to be inherent in the idea of evolution.
That's one thing I like about Hollywood. The writer is there revealed in his ultimate corruption. He asks no praise, because his praise comes to him in the form of a salary check. In Hollywood the average writer is not young, not honest, not brave, and a bit overdressed. But he is darn good company, which book writers as a rule are not. He is better than what he writes. Most book writers are not as good.
My one and only piece of relevant evidence [for an Aristotelian God] is the apparent impossibility of providing a naturalistic theory of the origin from DNA of the first reproducing species ... [In fact] the only reason which I have for beginning to think of believing in a First Cause god is the impossibility of providing a naturalistic account of the origin of the first reproducing organisms.
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