A Quote by Annie Dillard
How can people think that artists seek a name? There is no such thing as an artist - only the world, lit or unlit, as the world allows.
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How can people think that artists seek a name? A name, like a face, is something you have when you're not alone. There is no such thing as an artist: there is only the world, lit or unlit as the light allows.
There is no such thing as an artist - only the world, lit or unlit, as the world allows.
There is no such thing as an artist: there is only the world lit or unlit as the light allows. When the candle is burning, who looks at the wick? When the candle is out, who needs it?
What God is doing today is calling people out of the world for His name. Whether they come from the Muslim world, or the Buddhist world, or the Christian world, or the non-believing world, they are members of the body of Christ because they've been called by God. They may not even know the name of Jesus, but they know in their hearts they need something that they don't have and they turn to the only light they have and I think they're saved and they're going to be with us in heaven.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
I really admire people who concern themselves more with how they perceive the world rather than how the world perceives them. I think, as an artist, it's very important to do that. You can limit yourself a lot if you spend too much time caring about what people think of you.
I think the obligation of an artist is to make a difference in the world. That is what matters most to me. I think that artists are the leaders of the world because they do not have a connection to the industrial complex, the day-to-day short-term survival that most people are involved with.
For spiritual companions I have had the many artists who have relied on nature to help shape their imagination. And their most elaborate equipment was a deep reverence for the world through which they passed. Photographers share something with these artists. We seek only to see and to describe with our own voices, and, though we are seldom heard as soloists, we cannot photograph the world in any other way.
I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.
There is only one man in the world and his name is All Men. There is only one woman in the world and her name is All Women. There is only one child in the world and the child's name is All Children.
I feel very grateful that for some reason I was raised to believe that I had permission to explore the creative world. I'm very aware of what a privilege that is, because most people don't grant themselves that permission, and I really think that's the only thing that separates people that call themselves artists from the rest of the world. It's suspending self-judgment for long enough to do something expressive.
Hollywood is a world where the only thing that gets green-lit is something that made money the last year.
God made the world as an artist and that is why the world must learn from its artists.
What artists are doing, and what people who are receiving the arts are doing, is entering into this agreement to occupy a parallel world. The parallel world is ever-expanding. We used to think that it existed only for people who were wealthy, well-born, or educated. It isn't like that.
Men are just like unlit lamps: in themselves they are no good for anything, but, when lit, they can be handy to have around the house.
What's happening in the larger world always influences art. When I first started the gallery in 1959, one of the first things I learned was that most people assume artists know one thing and one thing only - that they were idiot savants. I found very quickly that most artists were very informed and very aware of what was happening in the world around them. So all of those things go together, especially for earthworks. And at that time there was such an intense interest in American art. So there was a great deal of attention paid to where it was going.
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