A Quote by Annie Dillard

Novels written with film contracts in mind have a faint but unmistakable, and ruinous, odor. — © Annie Dillard
Novels written with film contracts in mind have a faint but unmistakable, and ruinous, odor.
When the wind is right, a faint odor of kerosene is exhaled from Senator McCarthy.
Apart from the faint odor of ink that pervaded the scene, it might have been real.
I've read your summary." "And?" "It's not incompetent." Be still, my heart, so I don't faint from such faint phrase. "Did you expect it to be written in crayon?
Satin and lace and brown velvet and the faint odor of violets. That was all which was left to him of his love.
Oh! faint delicious spring-time violet, Thine odor like a key, Turns noiselessly in memory's wards to let A thought of sorrow free.
Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own unorthodoxy. Good novels are written by people who are not frightened.
Good novels are not written, they are rewritten. Great novels are diamonds mined from layered rewrites.
Writing short stories was kind of like I was cheating the whole time, in some way. I went back and forth between writing the novels and sort of sneaking out to work on stories occasionally. These stories were written over the last 10 years or so, as I was taking breaks from the novels I've written.
Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it.
Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own orthodoxy. Good novels are written by people who are not frightened.
The wind, one brilliant day, called to my soul with an odor of jasmine. "In return for the odor of my jasmine, I'd like all the odor of your roses." "I have no roses; all the flowers in my garden are dead." "Well then, I'll take the withered petals and the yellow leaves and the waters of the fountain." the wind left. And I wept. And I said to myself: "What have you done with the garden that was entrusted to you?
Having written for film and television, I had little interest in turning 'The Good Father' into a Hollywood thriller. I was writing a novel, and novels demand that the writer goes deeper, both emotionally and thematically.
Writing is my number one passion. I've written two novels. I've written a screenplay. I also write short stories and poetry.
Our own genomes carry the story of evolution, written in DNA, the language of molecular genetics, and the narrative is unmistakable.
When the script was written, it was sent to me with asterisks marking where he felt a song would be appropriate. Before the film was shot, the score was written. I made a demo of it, so they lived with the music as they were making the film.
The breaking of the alabaster box and the anointing of the Lord filled the house with the odor, with the sweetest odor. Everyone could smell it. Whenever you meet someone who has really suffered; been limited, gone through things for the Lord, willing to be imprisoned by the Lord, just being satisfied with Him and nothing else, immediately you scent the fragrance. There is a savor of the Lord. Something has been crushed, something has been broken, and there is a resulting odor of sweetness.
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