A Quote by Annie Dillard

People who take photographs during their whole vacation won't remember their vacation. They'll only remember what photographs they took. — © Annie Dillard
People who take photographs during their whole vacation won't remember their vacation. They'll only remember what photographs they took.
I was on vacation with my family when I got the scripts for 'Wanderlust' and I was trying to work on the audition while I was on vacation. I remember a big gust of wind blew the entire script into the pool, so I had to dry it with a hairdryer.
I used to take photographs just to remember people.
I believe that photography can only reproduce the surface of things. The same applies to a portrait. I take photographs of people the same way I would take photographs of a plaster bust.
The adventure is over. Everything gets over, and nothing is ever enough. Except the part you carry with you. It's the same as going on a vacation. Some people spend all their time on a vacation taking pictures so that when they get home they can show their friends evidence that they had a good time. They don't pause to let the vacation enter inside of them and take that home.
I was a member of Circle Rep; I had done a little bit of directing there. I remember that I had a vacation from 'Angels', in which I remounted a play that I had done out of town called 'Three Hotels.' That's how I spent my week vacation.
It is the photographs that gives one the vivid realization of what actually took place. (On photographs from Abu Ghraib prison.)
I've had photographs taken for portraits because I very much prefer working from the photographs than from models... I couldn't attempt to do a portrait from photographs of somebody I didn't know.
I was out in California over the holidays and I was working with some photographs I took out there just now, actually, which were all different photographs of the sunset. They're really interesting because El Niño has changed the cloud configuration, not only the sea, but also the whole makeup of the clouds, the sunset, and the different gradations of color and tonality. So it'll be interesting to work with that.
I have a big box of autographs. I took photographs of me and Marlene Dietrich, me and Ida Lupino. I took pictures of Myrna Loy and Joel McCrea in front of the studios. I loved Hollywood. I have 500 autographs and 500 photographs I took.
Still photographs are the most powerful weapon in the world. People believe them, but photographs do lie, even without manipulation. They are only half-truths.
Luxury cruises were designed to make something unbearable (a two week transatlantic crossing) seem bearable. There's no need to do it now, there are planes. You wouldn't take a vacation where you ride on a stage coach for two months but there's all-you-can-eat shrimp. You wouldn't take a vacation where you had an old-timey appendectomy without anesthesia while steel drums play. You might take a vacation while riding on a camel for two days IF they gave you those little animal towels wearing your sunglasses.
I think of how most people only get three weeks of vacation a year. And that, for me, seems like it would be really hard. My life feels like a vacation.
[On George W. Bush:] How is it possible that the president is off on vacation and the vice president is, too? Not that it matters that much if the president is on vacation; on some level, the president is always on vacation.
I don't consider [my] photographs fashion photographs. The photographs were for fashion, but at the same time they had an ulterior motive, something more to do with the world in general.
I remember it all: every word, every breath, every tick of the clock . . . everything that happened is with me forever. I can never forget it. But that dosen't mean I can live it again. You can't live what's gone, you can only remember it, and memories have no life. They're just pale reminders of a time that's gone - like faded photographs, or a dried-up daisy chain at the back of a drawer. They have no substance. They can't take you back. Nothing can take you back. Nothing can be the same as it was. Nothing is. All I can do is tell it.
Saudi Arabia is so conservative. At first there were photographs of women I took that I couldn't publish - of women without their abayas. So I started writing out little anecdotes about things I couldn't photograph and wove it in with a more obscure picture and called it "moments that got away". I realised these worked as well as the photographs by themselves. There are a lot of photographers who feel the story is all in the photographs but I really believe in weaving in complementary words with the pictures.
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