A Quote by Annie Dillard

It should surprise no one that the life of the writer - such as it is - is colorless to the point of sensory deprivation. Many writers do little else but sit in small rooms recalling the real world.
Many writers do little else but sit in small rooms recalling the real world.
Real writers - serious writers with serious subjects, who earn their living at it - all seem to write in small rooms with that knotty-pine 1974 look on the top-floor rear of their houses. Rooms with views.
I'm a major feminist. There's a real politic in life, where I've been in rooms where real decisions are made, and it's a lot of powerful white men. There are women in those rooms, but not as many as there should be.
Writers remember everything...especially the hurts. Strip a writer to the buff, point to the scars, and he'll tell you the story of each small one. From the big ones you get novels. A little talent is a nice thing to have if you want to be a writer, but the only real requirement is the ability to remember the story of every scar. Art consists of the persistence of memory.
It was as if the sensory overload that is American life had somehow led to sensory deprivation, a gilded weariness, where everything is permitted and nothing appreciated.
Writers don't have lifestyles. They just sit in little rooms and write.
I made the decision that I didn't want to spend my life in rooms and write about rooms, or else make books that are researched constructs. I think you do have to get out there and live it. Thriller and genre writers seem to understand this.
If I regarded my life from the point of view of the pessimist, I should be undone. I should seek in vain for the light that does not visit my eyes and the music that does not ring in my ears. I should beg night and day and never be satisfied. I should sit apart in awful solitude, a prey to fear and despair. But since I consider it a duty to myself and to others to be happy, I escape a misery worse than any physical deprivation.
My friends tend to be writers. I think writers and painters are really all the same-we just sit in our rooms.
South Dakota... is like the world's first drive-through sensory deprivation chamber.
It's deprivation that makes people writers, if they have it in them to be a writer.
I think the best way to listen to my music is through recording. I would love to be one of those artists where you can go into a coffee shop and watch people pass by and then my music is in their ears. Not necessarily a sensory deprivation thing, but that's cool too. Unfortunately in order to focus on nobody else, you would probably have to go into a dark room and just sit there and listen to it.
Anyone who reads '33 Men' will be brought into a world that was practically a textbook case of sensory deprivation and torture.
So many writers live their whole lives in rooms. You can be too civilised in the environment you have around you, too oriented towards speaking engagements and literary festivals and dinner parties. That has no interest for me these days. You get to a point where you don't care anymore. At that point, you can start to write.
Anyone who wants to be a writer should, if given the opportunity, hang out with "real writers," that is, poets or writers who are lions in literature, semi-lions, or published authors.
It's a little bit like talking about the life of writing. The life of writing may be about many things, but it always begins with the writer. With the kernel of an idea, or a character, or an idea or a theme, or even an outcome. But for documentary photographers, photographs begin at that intersection of the real world and the imaginative inner world.
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