A Quote by Annie Dillard

When you open a book,” the sentimental library posters said, “anything can happen.” This was so. A book of fiction was a bomb. It was a land mine you wanted to go off. You wanted it to blow your whole day. Unfortunately, hundreds of thousands of books were duds. They had been rusting out of everyone’s way for so long that they no longer worked. There was no way to distinguish the duds from the live mines except to throw yourself at them headlong, one by one.
I remember as a young child, during one of my frequent trips to the local library, spending hours looking at book after book trying in vain to find one that had my name on it. Because there were so many books in the library, with so many different names on them, I’d assumed that one of them — somewhere — had to be mine. I didn’t understand at the time that a person’s name appears on a book because he or she wrote it. Now that I’m twenty-six I know better. If I were ever going to find my book one day, I was going to have to write it.
I had a hundred things I wanted to be, but when I was 13, I wanted to be an inventor. I wanted to improve the blow-dryer because it takes so long to blow-dry your hair, and it's just a waste of time. I wanted to invent the therm-alarm, which would have you throw your sheets off in the night when you got too hot.
I believe in books. And when our people [coughing] - our people of Jerusalem, let's say after the Romans destroyed the temple and the city, all we took is a little book, that's all. Not treasures, we had no treasures. They were ransacked, taken away. But the book - the little book - and this book produced more books, thousands, hundreds of thousands of books, and in the book we found our memory, and our attachment to that memory is what kept us alive.
I didn't write professionally at first. It took me nine years to get anything published. At the beginning I mostly wrote picture books, which were rejected by every children's book publisher in America. The first book of mine to be accepted for publication was ELLA ENCHANTED, and not one but two publishers wanted it. That day, April 17, 1996, was one of the happiest in my life.
When I was 18, I went to the Soviet Union. I kept hearing that America was planning to bomb them - lots of bombs were going to come down on these people. I went there not knowing anything, except that I thought the whole thing was stupid and that I wanted to see who these people were that we were going to bomb.
Unfortunately, neither of my grandfathers were alive by the time I decided I wanted to write a book. I wish I had asked them questions when they were around, but I was too young and it remains a regret to this day.
Crime fiction has always been what I wanted to read, so when I sat down to write my first book, it was naturally the way that I was going to go.
[His] library was a fine dark place bricked with books, so anything could happen there and always did. All you had to do was pull a book from the shelf and open it and suddenly the darkness was not so dark anymore.
The first book is the book you have to write to get back at your parents; the book you always had in you. Once you get that out of your way, you can start writing books.
A great hang is mandatory. But in all of my years as a traveling musician, on a whole it's been pretty damn magical. There have been a couple duds along the way, but most time, I'm in awe of the guys who want to play on my records.
I love the way that each book -- any book -- is its own journey. You open it, and off you go. You are changed in some way, large or small, by having traveled with those characters.
I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.
... The Book is more important than your plans for it. You have to go with what works for The Book - if your ideas appear hollow or forced when they are put on paper, chop them, erase them, pulverise them and start again. Don't whine when things are not going your way, because they are going the right way for The Book, which is more important. The show must go on, and so must The Book.
As parents, we should remember that our lives may be the book from the family library which the children most treasure. Are our examples worthy of emulation? Do we live in such a way that a son or a daughter may say, ‘I want to follow my dad,’ or ‘I want to be like my mother’? Unlike the book on the library shelf, the covers of which shield its contents, our lives cannot be closed. Parents, we truly are an open book in the library of learning of our homes.
I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.
I always wanted to be someone in the entertainment industry. In my eighth grade slideshow, when everyone was like "show us what you want to be," everyone [said] doctor, lawyer, [but] mine literally said rapper. I wanted to be a musician, I wanted to be a superstar, I wanted to be on stage, I wanted to perform, I wanted to be in movies. But as you grow up, those dreams kind of fade away.
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