A Quote by Annie Dillard

I write in my own journal when something extraordinary or funny happens. And there's some nice imagery in there. I don't think of what to do with it. — © Annie Dillard
I write in my own journal when something extraordinary or funny happens. And there's some nice imagery in there. I don't think of what to do with it.
I have a thing - I call it magic - but I feel like I can write stuff down in the middle of the night and wake up and it happens. I write what I want in my journal.
Usually there will be a funny trend that I put my own twist on or something hilarious happens to me and I think - 'This would be a perfect TikTok.'
I do not think writers ought ever to sit down and think they must write about some cause, or theme, or something. If they write about their own experiences, something true is going to emerge.
I do not think writers or anybody would sit down and think they must write about some cause, or theme, or something. If they write about their own experiences, something true is going to emerge.
I write in a journal daily. This extraordinary ritual has revolutionised my mindset, transformed my heartset, and generally influenced my life exponentially.
I can sit in my room and write a song that I think might be a hit. I can sort of make myself do that, and then I'll play it to a friend, and they'll say, 'Oh, that's nice.' But when something happens to me, and I sit down and write a song to get rid of my emotions, they'll turn around and say, 'Wow, that's great.'
you have often seen in the cinema, erich, haven't you, that between extraordinary people extraordinary things like for example extraordinary love can arise. so we only have to be extraordinary and see what happens.
It’s therapy. It’s just something to do so you’re not lost in your own not-so-nice thoughts, and it’s an opportunity to think about something a lot nicer and to do something that’s with more purpose. So you do it, and you take your passion and you put a lot into it, and at some point you get recognized for it. But that recognition doesn’t mean the man is without his own demons or without his own struggles.
In terms of writing, I think something happens to you, and you think, "Oh I'm going to write about that. That's an emotional event." But obviously, if you keep going, and it's something you do with regularity, you've got to find other ways to write.
I don't feel that I decided deliberately I'm going to write something and have it stand alone. Somewhere by the end I think it would probably revert to imagery.
I personally believe in some sort of divine order - or energy. I do believe that everything happens for a reason. I do think that when something bad happens to someone it's with the purpose of awakening them. I do think there is some force behind that. I don't think there are accidents.
It's funny, you know: my mother-in-law, who doesn't have an ounce of nerd in her, is just so excited by the fact that I write 'Batman' because she'll see an article about me in the 'Washington Post' or 'The Wall Street Journal' or something. And that means so much to me.
I think my general disposition on life is finding what's funny about it. When something happens, the first thing in my mind is, "What's funny about it?"
I know that in some ways I operate from a kind of antiquated interest in imagery, while many contemporary poets are not so interested in imagery. I think part of it is my training, and just my visual sense of things.
One of the things that is always difficult about a collaboration is that you don't necessarily find the same thing funny. And so the challenge becomes, how do you tell the other person that you don't think something's funny? The best collaborations tend to be when you are willing to be told that. But there's also ego involved, and so there's a lot of frustration in knowing that you're writing something, and the other person, on some level, needs to think that it's funny.
Some things are hard to write about. After something happens to you, you go to write it down, and either you over dramatize it, or underplay it, exaggerate the wrong parts or ignore the important ones. At any rate, you never write it quite the way you want to.
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