A Quote by Annie E. Clark

Music is kind of a strange business, and it's too weird of a job to have mean, conniving people around. — © Annie E. Clark
Music is kind of a strange business, and it's too weird of a job to have mean, conniving people around.
When I talk about success I don't mean music business, I just mean the people around me.
I don't mind competition at all. I mean, the record business is the most competitive business in the world, probably. So I'm used to that. In a weird way, it kind of makes you work harder.
It's a weird job because making music or writing a song is a personal thing... and it kind of has to be. You can always tell when people are faking.
I was always told that I was too strange or that I was too cheesy by different groups of people, like the record companies said I was way too weird and the indie people wouldn't even let me in their band.
In real life, I'm so goofy and super weird. I'm never mean, but people don't see the weird side of me. Like, I'll be dancing around. My best friends will always say that they wish others saw that side of me, when I'm doing a weird dance or weird faces or voices.
I spent a lot of time making music and touring around the country and living the weird life. I was just trying to keep a job and get by. So in a lot of ways, I went through a strange version of film school. So you live through a lot of things, and put them into your work.
It's a scary question for a musician or songwriter today - what does the future hold? It is a strange time in the music business too; it feels like we are all in some kind of transitional period, stuck between old technology and new.
I have always had a strange relationship to Portland, Oregon. It's a great city. The people who live there love it openly and loudly, and it regularly appears on the lists of best American cities. But something has always felt weird to me about Portland. And not in the way Portlanders mean 'weird' in their slogan 'Keep Portland weird.'
Me, l'm a weird person, so my music is kind of weird, but l want my music to be weird.
You're always as a musician trying to shock yourself or create music that's maybe even too weird for your own taste. In my case it's kind of weird because I started out being known more for ambient things and ambiguous music, but what's experimental for me is the more traditional structure. For me, experimenting involves traditionalism.
It's weird because I am accessible to people on Twitter, and I can choose to read good things or mean things, and people can reach out to me directly and tell me how much they hate me or love the song. It's a very strange new paradigm as an artist to find yourself among this kind of connectivity.
When I was in high school. I was considered really weird and strange, and people kind of kept their distance.
There's too many good musicians around for the music around for the business to be sagging.
Having people around you that are honest with you, and having a team around you that can actually track and communicate where things are working and where they're not working, is really an invaluable asset to an artist's career. I just see it time and again, people who have no clue about that stuff. It's frustrating, and I see the frustration for them. It's a weird thing being an artist, trying to navigate the music business with little to no help.
Many of us would probably not be in the music business - or never would have been in the music business - had The Beatles not demonstrated that this kind of music, or this kind of performance, was actually viable as a career alternative.
The music business is a weird business. Sometimes licensing doesn't happen because some business component that you never knew about stops it.
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