A Quote by Annie Ilonzeh
I know stories of Tupac, but I was really, really young when he passed. The fact that he was such a thespian, and so passionate about his craft, was shocking to me in a way. I'm shocked to see that here's this man that passed at 25 that we're still talking about, 20 plus years later. That's an eye-opener for me.
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I know stories of Pac, but I was really, really young when he passed. The fact that he was such a thespian, and so passionate about his craft, was shocking to me in a way.
I notice a lot of younger artists have difficulty telling stories. They might have short stories where they express themselves well, but they don't really know how to tell stories with characters. That craft just passed them by.
I don't eat pork or beef. I cut that out when my father passed away about 20 years ago. I wanted to modify my diet because he passed away from diabetes. And, you know, it's very hereditary.
I chose philosophy because it sounded like something I ought to be interested in. I didn't know anything about it, I didn't even know what it was talking about. What I really spent my time doing in those years was writing short stories. There were all sorts of interesting courses, but what I really wanted to do was make stories one way or another.
Once after Barefoot In the Park had been playing for about a week I went back to see it, watching the audience, which was just falling over laughing except for one guy sitting the aisle. I was transfixed. I said to myself, there seems to be no way to get to him. No one else would I watch except this one man. My wife joined me about 20 minutes later and asked me how it was going, and I said, terrible. I really meant it. There was no way to get to this man. It destroyed me.
Next door, there's an old man who lived to his nineties and one day passed away in his sleep. And his wife, she stayed for a couple of days and passed away. I'm sorry, I know that's a strange way to tell you that I know we belong.
Well, religion has been passed down through the years by stories people tell around the campfire. Stories about God, stories about love. Stories about good spirits and evil spirits.
If anyone had told me in the '60s that 20 years later we'd still be talking about whether pot was worse than this or that, I'd have said, Oh, come off it, boys.
We were in the middle of a sandbar in the middle of the ocean with no one around, and still someone was following me from New York, and was hiding in some bushes like a mile away with a long lens, so he still got pictures. It was really an eye opener to how you really have to be careful about being followed everywhere. I was trying to go to the most remote place in the world, I was out on a sandbar in the middle of the ocean, and they still found me. It was definitely a very new experience.
I know that telling the story, there are certain events I want to skip, and certain events I want to hit. The time passing allows for - if you're really following people's lives, and this isn't a cartoon - someone gets pregnant, a child will be born, etc. You really don't want to be locked into "Every episode is a month later." The show is very intense to make. There's always going to be some downtime between seasons, and to me, it really helps to come back to the next season in the reality of that world, and have almost as much time passed in their lives as has passed in yours.
We should all be so lucky in our lives to create things that we're still talking about 25 years later.
I mean, the way I'm talking, it sounds like I'm - you know, I'm about to go out and sign up for the nearest seminary, and you'll never see or hear from me again. But it's a hard thing to talk about really 'cause I'm not at all sure myself about it. But I've got a very, very simple sort of outlook to it. Yeah, that's all I can say, really.
Twenty years later, twenty years after I joined the women's movement, we're still talking about the same issues. We're still talking about reproductive rights for women, and we're still talking about getting equal pay for women. And that's just frustrating.
Everything my fans tell me is the way I felt when I was a Tupac fan coming up. My fans tell me, 'Boosie will make you feel like you was in the household watching everything that was happening to me, with your music.' That's how Tupac made me feel, like everything he was talking about I was living. My music do that, you know?
A friend of mine passed away unexpectedly at the very end of making 'Ghosts', someone who had been as close to me as someone could get, someone who was far too young. But I couldn't really sing about it for a long time - not in the way I would have wanted to.
When you think about being a director, you think about writing stories, putting the camera in interesting places and directing the actors to get your vision, but it's hard to imagine even this process... sitting here nine months later talking about the film and talking about it 20 times in one day. You don't even think about the part where you come to the set every morning and everyone's looking at you to see your mood in order to see what the day is going to be like, and the influence that you wield.
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