A Quote by Annie Leibovitz
I fell in love with the darkroom, and that was part of being a photographer at the time. The darkroom was unbelievably sexy. I would spend all night in the darkroom.
Related Quotes
My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
Don't get between me and a really good picture in the darkroom, because then I want to go straight to the darkroom and develop it. But once that's done, I'm fine.
I told myself, 'When I grow up, I want to make pictures that can inspire and nourish people.' Immediately, when I was 10, I started photographing nature. I built a darkroom. My first really good darkroom, not just down in the cellar, was when I was 14.
It was amazing to watch him in the darkroom at an advanced age, still get excited when the results were pleasing. He still struggled like we all do in the darkroom and he struggled behind the camera, and when he had a success he was beaming.
I read like a crazy person, I play the piano, and I'm a photographer. I always say my photography keeps me sane. I spend a lot of time in the darkroom. It's a very solitary, quiet life when I'm not working.
Then I thought I was going to be a photographer. I tried a hand at darkroom technician. I played in a band. It took me quite some time to discover that I wanted to write.
The inner chambers of the soul are like the photographer's darkroom. Like a laboratory. One cannot stay there all the time or it becomes the solitary cell of the neurotic.
Fear is the darkroom where negatives are developed.
The darkroom is just the means to an end.
I've been a photographer all these years... I haven't been in my own darkroom for 10 years.
My lifestyle is bizarre, but the only thing you need to know is where the darkroom is.
I discovered that I could do whatever I wanted with a negative in a darkroom and an enlarger.
I find the single most valuable tool in my darkroom is my trash can
For me the printing process is part of the magic of photography. It's that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.
Technology has eliminated the basement darkroom and the whole notion of photography as an intense labor of love for obsessives and replaced them with a sense of immediacy and instant gratification.
The boy I was crazy about was super into photography, so I weaseled my way into AP Photo to impress him and spend more time with him. He never liked me back, but I ended up spending most my senior year in the darkroom - it became a sort of safe haven for me.
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