A Quote by Annie Leibovitz

I admired the work of photographers like Beaton, Penn, and Avedon as much as I respected the grittier photographers such as Robert Frank. But in the same way that I had to find my own way of reportage, I had to find my own form of glamour.
I didn't take inspiration from other photographers, which in a way helped to find my own images.
The great photographers of life - like Diane Arbus and Walker Evans and Robert Frank - all must have had some special quality: a personality of nurturing and non-judgment that frees the subjects to reveal their most intimate reality. It really is what makes a great photographer, every bit as much as understanding composition and lighting.
I can't speak for other photographers, but the photographers who went forward strongly when the so-called "official" part of their career ended, to me, were those who had taught. Teaching enriches and enlivens one's work.
I love photography. Photographers and photos. I took a ton of pictures in Paris, and I find that I'm most inspired by following other photographers on Instagram.
Every child has a right to its own bent. . . . It has a right to find its own way and go its own way, whether that way seems wise or foolish to others, exactly as an adult has. It has a right to privacy as to its own doings and its own affairs as much as if it were its own father.
I think it's what we've always tried to do, is just find a unique way in, and find a unique way to be true to what the character is from the comics and what fans are aware of and expecting. And at the same time do it in a way that mainstream audiences and as wide an audience as possible can find their own way into it.
I think a way that feminist photographers work is turning what was the object into the subject and really making it our own.
I have had the privilege of working with the best in the business, from photographers to designers to magazines. There's not much more to ask for but I'm still looking forward to one day working with photographers Mert and Marcus, Tim Walker and Nick Knight.
I admired a tremendous number of photographers, but for some reason I arrived at a point of view of my own.
I admire a lot of photographers, but I feel very disconnected from them at the same time. I don't feel I employ any technique like these people in my work. I guess if there's any influence from any of these photographers, it's this: They were concerned only with beauty. Not with 'cool.' I hope I'm doing the same.
As photographers, we have to find our own identity, our own voice, our own vocabulary. And my question all the time is whether this vocabulary is limited, like our own vocabulary that goes from A to Zed, or whether this vocabulary can carry on growing. And to me, I hope that it carries on growing.
At the beginning of my career, as a boy from Peru in London, suddenly discovering British culture and society, I looked so much at the work of the photographers Cecil Beaton and Norman Parkinson, which seemed to represent a wonderful vanished grandeur of my new country.
I work in the same style as classic landscape photographers. You find the right perspective, and then you wait until the light is right. I do the same. I find the right location, and then I wait for the sound, the atmosphere to be right, and for the space to be revealed.
Whether or not you find your own way, you're bound to find some way. If you happen to find my way, please return it, as it was lost years ago. I imagine by now it's quite rusty.
I quickly realized I had to have my own style and strategy and find my own way.
One of my all-time favorite photographers is Irving Penn. I wish I could have watched him work.
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