A Quote by Annie Leibovitz
I was scared when I went to Conde Nast. I had heard horror stories about how they used you up and then spit you out and went on. But there was this great history of photography that had been done there.
Quote Topics
Quote Author
Related Quotes
I wanted to win the gold medal and then go home and further my education in college. I had no intentions whatsoever to become a professional fighter because I had heard horror stories about former boxers who made money but, in the end, ended up with nothing. I didn't want to be one of those guys.
I well recall my horror when I heard for the first time, of a journalist who had laid in a pair of what were then called bicycle pants and taken to golf; it was as if I had encountered a studhorse with his hair done up in frizzes, and pink bowknots peeking out of them. It seemed, in some vague way, ignominious, and even a bit indelicate.
When I first met Alan Parker, who directed 'Angel Heart,' he'd heard so many horror stories about me that he was literally scared to death of me. Right away, he sat me down and said, 'I'm very scared of you. I've heard you're a very bad boy.'
My father used to tell me stories before I fell asleep. When the children would gather, at a certain point, I had a tendency to make up my own elementary variations on stories I had heard, or to invent totally new ones.
The young people we hire today at Conde Nast are fearless polymaths.
I left 'Wired' before it was sold to Conde Nast and Lycos, so I didn't experience that transition.
Usually, the energy in elevators is so awkward; I mean, I can't imagine the politics in the ones in the Conde Nast building.
Usually, the energy in elevators is so awkward; I mean, I cant imagine the politics in the ones in the Conde Nast building.
For a moment, I wondered how different my life would have been had they been my parents, but I shook the thought away. I knew my father had done the best he could, and I had no regrets about the way I'd turned out. Regrets about the journey, maybe, but not the destination. Because however it had happened, I'd somehow ended up eating shrimp in a dingy downtown shack with a girl that I already knew I'd never forget.
When I heard that 'Roots' was being remade, my first response was, 'Seriously?' I was a bit skeptical. Then I had an audition in early 2015. I didn't know how to feel about it. I was a little scared of the responsibility of telling the story again with the weight of the first one behind me - I was scared of comparisons.
When I first heard 'Pearly Gates' by Mobb Deep and 50 Cent growing up, the rapper Prodigy had a line about wanting to beat Jesus up. I wasn't religious, but I'd never been introduced to something like that. I was scared and mad, but then I asked why I felt like that.
I did it once, and National Geographic recruited me. I did it primarily out of curiosity. A lot of legendary photographers had worked on that campaign. Ernst Haas had done the early photography, and I knew him. There's a lore in photography about that campaign, and I was curious.
I was so happy when I found out I had been drafted by the Yankees. Growing up in Taiwan, I had heard so much about the Yankees but had never even seen them on TV.
When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.
I started [flying] by being scared. When I was an amateur I played a couple tournaments and I had to fly, and got into weather and stuff, and it scared me, and I decided that would not work, I had to learn to fly, I had to find out about airplanes and aeronautical engineering and what it was all about.
In third grade, I had to an oral report on the state of Oregon. I brought up Big Foot sightings, and I remember there was an argument about whether or not Big Foot was valid history. Ever since then I've been thinking about how subjective history is.
Related Authors
Amanda de Cadenet Quotes
English
Photographer
Ansel Adams Quotes
American
Photographer
David Bailey Quotes
English
Photographer
David LaChapelle Quotes
American
Photographer
Diane Arbus Quotes
American
Photographer
Elliott Erwitt Quotes
French
Photographer
Garry Winogrand Quotes
American
Photographer
Henri Cartier-Bresson Quotes
French
Photographer
Jay Maisel Quotes
American
Photographer
Lynsey Addario Quotes
American
Photographer
Martin Parr Quotes
British
Photographer
Mary Ellen Mark Quotes
American
Photographer
Nan Goldin Quotes
American
Photographer
Robert Adams Quotes
American
Photographer
Sally Mann Quotes
American
Photographer
Sam Abell Quotes
American
Photographer