A Quote by Annie Leibovitz

As I get older, the book projects are - liberating is one word, but they really are me. — © Annie Leibovitz
As I get older, the book projects are - liberating is one word, but they really are me.
Looking back over the years, I realize the Bible isn't magic, but it is corrective; it isn't an answer book, it is a living book; it isn't a fix-it book, it is relationship book. When I confront God's word, I am confronted; when I read God's word, it reads me; when I seek God's presence, He seeks me.
By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.
As I get older and mature and see the world, I think it's really rewarding to have people take inspiration - I hate the 'I' word - but I think a lot of disabled people really thank me for putting disability out there in a positive way.
It's cool because, as you get older, you get offered older parts. You're older, so you can't play 10 anymore. That was always very exciting for me.
As you get older, the summer is less of a vacation and more of a training period by yourself away from the team. It's exciting for me. I felt like I've been really getting better as far as my conditioning every single season as I get older.
When I got older, it got harder because when kids get older, they get meaner, so I went through a lot of bullying and people calling me, like, 'zebra' or 'cow,' so it was really hard growing up.
I always keep some form of cartoon or comic book with me, especially Batman - he's my favorite. The reason I keep them around is that it keeps the kid in me alive. Some older folks, they like to drink - can't wait to get old. Me? I like to stay young. I know I'm going to be get older, but I can at least be young at heart so I read these comic books so I keep myself right on that level of kid to keep me having fun on stage.
To me, one of the greatest triumphs in doing a book is to tell the story as simply as possible. My aim is to imply rather than to overstate. Whenever the reader participates with his own interpretation, I feel that the book is much more successful. I write with the premise that less is more. Writing is not difficult to me. I read into a tape recorder, constantly dropping a word here and there from my manuscript until I get a minimum amount of words to say exactly what I want to say. Each time I drop a word or two, it brings me a sense of victory!
I've always been drawn to and fascinated by physical and psychological change. If I'm able to make pictures of children that are so real, as you follow the children over the years in any given book, and in subsequent books they get older and older and grow up, perhaps there might be something cautionary in that visual example. Every child is going to grow up. You can see it happen in the books: They get older and older and belong to themselves to a greater and greater extent.
It's as interesting to me as someday getting to play in some beautiful period piece where the costumes are from a completely different era. This feels as extreme as that, and that's really liberating. It's really liberating to just go 180 from what my life is like. I love that! I love not having to think about clothes. I wanted to wear a uniform when I was in high school, but I couldn't. I was like, "It would be so much easier!"
I just think that things get easier as you get older and wiser and more experienced. You get more confident about who you are as you get older. I find that really comforting.
Talking about myself, I get only two to three projects a year but let me tell you they are substantial projects.
Everywhere I go, the kids call me 'the book lady.' The older I get, the more appreciative I seem to be of the 'book lady' title. It makes me feel more like a legitimate person, not just a singer or an entertainer. But it makes me feel like I've done something good with my life and with my success.
The philosopher strives to find the liberating word, that is, the word that finally permits us to grasp what up to now has intangibly weighed down upon our consciousness.
Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian.
As you get older, you start to really ask questions like, 'Is this the road I should be walking down?,' because every decision seems more final, as you get older.
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