A Quote by Annie Leibovitz
I shoot a little bit, maybe two rolls, medium format, which is 20 pictures, and if it's not working, I change the position.
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Maybe it's just a matter of getting older and being aware that the market for medium-budget and low-budget films, which is of course what I spent most of my life making, has diminished. And maybe the quantity of ideas has diminished a little bit.
Learning how to use different formats has made me a better photographer. When I started working in medium format, it made me a better 35 mm photographer. When I started working in 4x5, it made me a better medium-format photographer.
Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire that made me realize at some point in my adolescence that I really liked pictures that told stories of things - genre paintings, historical paintings - the sort of derivatives we get in contemporary society.
I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
I'm not going to go out and shoot 20 shots a game because I got paid a little bit more money or anything like that.
Motion pictures are a director's medium. Broadway is a writer's medium. Television is a producer's medium. I picked a medium I could control.
There's something about the sci-fi genre that gets an audience interested in it, so maybe you can take some risks that you couldn't, if you were just doing a drama. It lets you maybe reach a little further and surprise people a little bit more because there's still that little safety base of working on that genre that everybody loves.
I won't hold any illusions of changing the world or any such nonsense. But maybe, just maybe, I'm helping someone else change his or her life a little bit for the better, even if it just means giving someone a magical place in which to hide.
It's not like it's not fun to work on big studio pictures. It is. But I can't say that's more fun than working on some little indie for scale. Look at The Amateurs, that's probably the best time I ever had working on a film. With that group of guys, it ended up being an experience I'll never forget. I'll always have the fondest memory of that shoot.
I don't know if robots have personalities, but I think maybe we are special robots that are maybe human after all. We try to be a little bit human. Maybe we've managed to put a little bit of emotion.
George, she says it's the truth that matters. We live and die for the chance to maybe tell a little bit of the truth, maybe shame the Devil just a little bit before we go.
The majority of my background is multi-camera format, which is very broad and a very arch perception of reality. Whereas single camera tends to be more truthful and a little more intimate of a medium.
Sometimes my fashion pictures can look a little bit like documentary style pictures. So having a camera in my hand was normal.
'Balls of Fury' was a 45-day shoot when it probably - hindsight being 20/20 - probably should've been a 75-day shoot with all the ping-pong action.
There's a way you have to play the quarterback position in the NFL. Maybe I'm a little bit old school, but I think you have to play the game in the pocket with consistency.
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